John Ireland, Kevin Bowyer's ' "Capriccio" was released on its scheduled release date, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Organ Party, Vol. 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Capriccio's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Capriccio by John Ireland, Kevin Bowyer having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Vespers, Op. 37: VI. Hail, Theotokos Virgin | Sergei Rachmaninoff, Valery Polyansky, The USSR Ministry of Culture Chamber Choir | E Major | 0 | 12B | 77 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| Requiem in D Minor, Op. 48: III. Sanctus | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Elegy, Op. 58 | Edward Elgar, English Chamber Orchestra, Paul Goodwin | F Minor | 0 | 4A | 106 BPM | ||
| Saint-Saens, Organ Symphony, Finale | Philharmonia La Seine | F Major | 4 | 7B | 150 BPM | ||
| Notre Pere, Op. 14 | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | E Major | 0 | 12B | 109 BPM | ||
| All-night Vigil, Op. 37: No. 4, Gladsome Light | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | A♭ Major | 3 | 4B | 107 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
| Ave verum | Philip Stopford, The Ecclesium Choir | F♯ Minor | 1 | 11A | 142 BPM | ||
| Capriol Suite: V. Pieds-en-l'air | Peter Warlock, Büyükada Ensemble, James Ross | G Major | 2 | 9B | 142 BPM | ||
| The Bluebird | Charles Villiers Stanford, The Choral Project | B Major | 0 | 1B | 91 BPM | ||
| I Was Glad | Hubert Parry, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill | B♭ Major | 3 | 6B | 67 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 131 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| O For The Wings Of A Dove | London Philharmonic Choir | G Major | 1 | 9B | 79 BPM | ||
| A Moorside Suite: I. Scherzo (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | D Minor | 2 | 7A | 128 BPM |