"O Come All Ye Faithful" by Harry Connick, Jr. had its release date on November 3, 2008. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of What A Night! A Christmas Album by Harry Connick, Jr.. The song's track number on the album is #6 out of 15 tracks. In terms of popularity, O Come All Ye Faithful is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since O Come All Ye Faithful by Harry Connick, Jr. has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With O Come All Ye Faithful being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| I'm Pulling Through | Etta Jones | F Minor | 1 | 4A | 178 BPM | ||
| Sand In My Shoes | Carol Welsman | F Minor | 5 | 4A | 89 BPM | ||
| Say It | Stella Cole | F Minor | 2 | 4A | 74 BPM | ||
| Last Call Lullaby | WENDO KEN | D Major | 3 | 10B | 105 BPM | ||
| When I Grow Too Old To Dream - Remastered 1999 | Nat King Cole | D♭ Major | 1 | 3B | 107 BPM | ||
| Night And Day | Frank Sinatra | D Major | 2 | 10B | 83 BPM | ||
| The Way You Look Tonight - From Father of the Bride | Steve Tyrell | E♭ Major | 3 | 5B | 110 BPM | ||
| Trouble with Hello Is Goodbye | Frank Sinatra Jr. | F Major | 2 | 7B | 86 BPM | ||
| I Think I Love You | Preservation Hall Jazz Band | A♭ Major | 6 | 4B | 78 BPM | ||
| Top Hat, White Tie and Tails | Tony Bennett | A Minor | 3 | 8A | 93 BPM | ||
| Once Upon a Time | Kevin Spacey | B♭ Major | 2 | 6B | 87 BPM | ||
| But Not for Me | Harry Connick, Jr. | D Minor | 1 | 7A | 146 BPM | ||
| It Might As Well Be Spring | Sophie Milman | A♭ Major | 5 | 4B | 123 BPM | ||
| What | Maria Gilbert | D♭ Major | 3 | 3B | 75 BPM | ||
| The Morning After Love | Eddie Gold | A♭ Major | 3 | 4B | 71 BPM | ||
| Heat Wave | Ella Fitzgerald, Paul Weston And His Orchestra | C Major | 3 | 8B | 136 BPM | ||
| I Let a Song Go out of My Heart | Alice Babs | B♭ Major | 4 | 6B | 120 BPM | ||
| They Didn't Believe Me | Ernestine Anderson | D♭ Major | 3 | 3B | 133 BPM | ||
| Alright, Ok, You Win | Joe Williams, Count Basie | B♭ Minor | 4 | 3A | 120 BPM | ||
| An Affair to Remember | Marc Shaiman | G Major | 3 | 9B | 93 BPM | ||
| Time after Time | Jule Styne, Plácido Domingo, Eugene Kohn, Harry Connick, Jr. | D♭ Major | 3 | 3B | 119 BPM | ||
| London Town | Geoff Gascoyne, Iain Mackenzie | D Major | 3 | 10B | 115 BPM | ||
| The Very Thought Of You | Natalie Cole | C Minor | 2 | 5A | 76 BPM |