Roberta Flack's 'I Told Jesus' had a release date set for 1969. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 4 out of 8 in First Take by Roberta Flack. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I Told Jesus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Told Jesus by Roberta Flack is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Are You Lookin' | The Tymes | F Minor | 5 | 4A | 148 BPM | ||
| The Bottom Line | O.V. Wright | C Major | 5 | 8B | 170 BPM | ||
| Get Me Back on Time, Engine Number 9 (Pt. 1 & Pt. 2) | Wilson Pickett | B♭ Minor | 9 | 3A | 97 BPM | ||
| Don't Leave Me This Way (feat. Teddy Pendergrass) | Harold Melvin & The Blue Notes, Teddy Pendergrass | C Major | 7 | 8B | 120 BPM | ||
| Wake Up Everybody (feat. Teddy Pendergrass) | Harold Melvin & The Blue Notes, Teddy Pendergrass | F♯ Major | 6 | 2B | 98 BPM | ||
| While We Wait | Dominique Fils-Aimé | F Major | 4 | 7B | 106 BPM | ||
| Am I a Soldier of the Cross? | The Zion Travelers | G Major | 4 | 9B | 88 BPM | ||
| La Vita | Beverly Glenn-Copeland | B♭ Minor | 5 | 3A | 96 BPM | ||
| In The Evening (It's So Hard To Tell Who's Going To Love You The Best) | Karen Dalton | A Major | 0 | 11B | 68 BPM | ||
| Formwela 2 [Feat. Ganavya] | Esperanza Spalding, Ganavya | D♭ Major | 4 | 3B | 114 BPM | ||
| Soon This Space Will Be Too Small | Lhasa De Sela | G Minor | 0 | 6A | 100 BPM | ||
| Trial | Gabriel Garzón-Montano | B♭ Minor | 2 | 3A | 115 BPM | ||
| Maybe | The Three Degrees | A♭ Major | 2 | 4B | 136 BPM | ||
| Ballad of the Absent Mare - Longer Version | Leonard Cohen | A Major | 2 | 11B | 144 BPM | ||
| Eternity | Benjamin Clementine | D Minor | 1 | 7A | 98 BPM | ||
| Hear My Voice - Live From Abbey Road | Celeste | D♭ Major | 4 | 3B | 138 BPM | ||
| Stories | Bill Withers | E Major | 1 | 12B | 139 BPM | ||
| No Regrets | Little Willie John | B♭ Major | 5 | 6B | 106 BPM | ||
| Real Life | Joan As Police Woman | F♯ Minor | 2 | 11A | 127 BPM | ||
| All Along the Ride | The Delines | G Major | 1 | 9B | 64 BPM | ||
| The Life I Used to Live | Rosita Kèss, Valerie June | D Major | 2 | 10B | 198 BPM | ||
| Trapped By A Thing Called Love | Denise LaSalle | F Minor | 4 | 4A | 141 BPM | ||
| I Take What I Want | Ann Peebles | A Major | 5 | 11B | 100 BPM | ||
| There's A Light | Shirley Ann Lee | C Minor | 3 | 5A | 133 BPM | ||
| 99 Lbs | Ann Peebles | F Major | 4 | 7B | 81 BPM |