Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju's ' "Jannat Ki Tashbata Dea" was released on its scheduled release date, November 21, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Aakhon Dekha Ragin Compition Vol 4 by Koshinder Khadana. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Jannat Ki Tashbata Dea's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jannat Ki Tashbata Dea by Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meri Aab Bahu Ne Tar | Satpal Dausa | B Major | 9 | 1B | 151 BPM | ||
| Hamre Piche Padal | Ramkhilawan | G Minor | 9 | 6A | 100 BPM | ||
| Mai Jhamiya Bundelkhand Ki | Jaysingh raja, jyoti Kushvah | F♯ Minor | 9 | 11A | 163 BPM | ||
| Arani Lokgeet | Kheta Khan | F♯ Major | 8 | 2B | 110 BPM | ||
| Main Mehndipur Main Aya Su | Mukesh Sharma | C Major | 7 | 8B | 133 BPM | ||
| Luk Luk Na Kariye | Jaysingh raja, jyoti Kushvah | F♯ Minor | 5 | 11A | 116 BPM | ||
| Ari Bhatiyari Chandal | Koshinder Khadana | E Minor | 7 | 9A | 73 BPM | ||
| Baba Jotram Aaj Kamal Ho Gaya | Sumit Kalanaur | A♭ Minor | 9 | 1A | 116 BPM | ||
| Saji Saji Re Dulhan | Koshinder Khadana, Rishipal | A♭ Major | 5 | 4B | 135 BPM | ||
| Khama Ji Antriyo | Hakam Khan Nimbla | B Major | 9 | 1B | 100 BPM | ||
| Tere Sarm Na Haya | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | E Major | 6 | 12B | 147 BPM | ||
| Aisa Aisa Lagan Likhaya Guruji Mara | Dhanraj Joshi | A♭ Major | 9 | 4B | 78 BPM | ||
| Gopi Chand Sawan Ki Malhar | Brajesh Shastri, Brijesh Shastri | B Major | 6 | 1B | 111 BPM | ||
| Kis Karan Se Preetam Pyare | Brajesh Shastri | C Major | 8 | 8B | 95 BPM | ||
| Mata Rani ki Bhent । देसी घी दी वासना आवे मईया तेरे मंदिरों विच । Kala Ram & Renu Kumar । जरूर सुने | Raju Saini, Guga Jaharpeer Status Dharamgarh | E Minor | 7 | 9A | 96 BPM | ||
| Liya Sass Chan Ka | Satpal Dosa, Manpal | E Major | 7 | 12B | 80 BPM | ||
| Sidha Sadha Dilwa Ke Katal Kailu | Manish Samrat | B♭ Major | 8 | 6B | 124 BPM | ||
| Kaha Gaye Pase Kaha Gaya Beta | Satpal Dosa, Mainpal Baseda | G Major | 7 | 9B | 143 BPM | ||
| Dhore Mathe Jhupdi | Prithvi Ladla | B♭ Major | 9 | 6B | 151 BPM | ||
| Tach En ma Punajba | Meeral Baloch | E♭ Minor | 7 | 2A | 110 BPM | ||
| Ek Kheli Lagayi Par Part 1 | Swami Aadhar Chaitanya | A♭ Major | 5 | 4B | 159 BPM | ||
| Mare Jodi Ra Bhartar | Kheta Khan | C Major | 8 | 8B | 108 BPM | ||
| Murli Kyo Bajaye | Halke Ram Kushwah, Jyoti Kushvah | D♭ Minor | 9 | 12A | 130 BPM | ||
| Ja Rahi Hai Mohabbat Ki Maiyat | Shahid Ali Khan | A♭ Major | 8 | 4B | 155 BPM | ||
| Moye Le Gaye Patari Me | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM |