Anwar Rafi, Shabnam Majid, Mohamed Yousaf's ' "Too jo Nahin Hae" was released on its scheduled release date, January 1, 1994. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wedded Bliss by Anwar Rafi. The song's track number on the album is #3 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Too jo Nahin Hae is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Too jo Nahin Hae by Anwar Rafi, Shabnam Majid, Mohamed Yousaf has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Too jo Nahin Hae being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jab Se Bhail Rasdaar Jobnawa | Kalpana Patowary | C Minor | 9 | 5A | 75 BPM | ||
| Dua Karesun | Nadeem Abbas Khan Lonay Wala | A♭ Major | 7 | 4B | 94 BPM | ||
| Tu To Bhulgi Aslam Singer | Aslam Singer Deadwal, Aslam Singer Zamidar | F♯ Minor | 7 | 11A | 83 BPM | ||
| Ar Koto Porabo Antor | Emon Khan | A Major | 7 | 11B | 78 BPM | ||
| Mere Aakhri Samay Sanwra Hi Kaam Aayega | Mukesh Mahadeva | E♭ Minor | 9 | 2A | 130 BPM | ||
| Pehli Baarish Main Aur Tu - Jhankar | Anuradha Paudwal, Kumar Sanu | F Minor | 7 | 4A | 78 BPM | ||
| Jatoi Karo Bahana - Male Version | Jatin-Lalit, Kumar Sanu | A Minor | 9 | 8A | 100 BPM | ||
| Babul Ki Duayen Leti Ja - Instrumental | Anwar Rafi, Mohamed Yousaf, Shabnam Majid | B♭ Minor | 6 | 3A | 95 BPM | ||
| Aap Se Pehle - Jhankar Beats | Vinod Rathod, Alka Yagnik, Chorus, Hero And King Of Jhankar Studio | F Minor | 9 | 4A | 84 BPM | ||
| Mittar Pyare Nu | Agam Kumar Nigam | A Major | 8 | 11B | 87 BPM | ||
| Sarna Maa | Amit Kumar Bhagat | E♭ Minor | 9 | 2A | 117 BPM | ||
| Aven Rusya Na Ker | Naseebo Lal | F Major | 8 | 7B | 113 BPM | ||
| Aya Hai Naya Saal | DJ SHIVAM | F♯ Minor | 7 | 11A | 83 BPM | ||
| পিঞ্জিরা ছাড়িয়া পাখী | Rakhi Dasi Baul | F Major | 7 | 7B | 91 BPM | ||
| Achole Bandhiya Rakibo | Sabina Yeasmin | A♭ Minor | 9 | 1A | 97 BPM | ||
| Oye Baby Chunni Ke Niche Niche | Satto Gurjar | F♯ Minor | 7 | 11A | 83 BPM | ||
| Jab Jab Dil Mera | NAGESH BISWAL | G Minor | 9 | 6A | 171 BPM | ||
| Bhaang Ki Pakodi Kha Ke | Ram Kumar Lakkha | F♯ Minor | 10 | 11A | 140 BPM | ||
| Lagi Tere Mangar Fira | Rani Randeep | B Minor | 7 | 10A | 113 BPM | ||
| Dharat Nahi Sejiya Gobar Ganesh Bade Re 8 | Indu Sonali | F♯ Major | 9 | 2B | 82 BPM | ||
| Naiori | Shorif Uddin | B Minor | 9 | 10A | 114 BPM | ||
| Doori Na Rahe Koi - Jhankar Beats | Lata Mangeshkar, Hero And King Of Jhankar Studio | D♭ Major | 9 | 3B | 110 BPM | ||
| Mujhe Teri Mohabbat | Simon Nakra, Shabnam Majid, Anwar Rafi | A♭ Minor | 6 | 1A | 143 BPM | ||
| Tu Hi Meri Talash H | Kohinoor Vaishnav, Pihu Vaishnav | F♯ Minor | 7 | 11A | 83 BPM | ||
| Karta Hai Pyar | Saima Jahan, Anwar Rafi | A Minor | 7 | 8A | 128 BPM |