Igor Stravinsky, Eastman Wind Ensemble, Jan Opalach, Mark Scatterday's ' "L'Histoire du Soldat (The Soldier's Tale) - Part I: Narration" was released on its scheduled release date, February 12, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "Stravinsky: Octet & L'Histoire du Soldat". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, L'Histoire du Soldat (The Soldier's Tale) - Part I: Narration is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With L'Histoire du Soldat (The Soldier's Tale) - Part I: Narration by Igor Stravinsky, Eastman Wind Ensemble, Jan Opalach, Mark Scatterday having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Salome, Op. 54: Dance of the Seven Veils | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 52 BPM | ||
| Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
| Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | E♭ Major | 0 | 5B | 52 BPM | ||
| Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM | ||
| Pines of Rome, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | C Minor | 1 | 5A | 90 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: IV. Allegretto | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | C Minor | 0 | 5A | 121 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 3 | 3B | 121 BPM | ||
| Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A♭ Minor | 2 | 1A | 144 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| Gurrelieder, Pt. 1: No. 1, Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM | ||
| Suite algerienne, Op. 60: Suite Algerienne, Op. 60: Marche militaire francaise | Camille Saint-Saëns, Slovak Philharmonic, Richard Hayman | C Major | 1 | 8B | 113 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Symphony No. 2, Op. 30 "Romantic": II. Andante con tenerezza | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 1 | 7B | 138 BPM | ||
| Symphony No. 3 in E flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | E♭ Minor | 1 | 2A | 75 BPM | ||
| Walton: Cello Concerto: II. Allegro appassionato | William Walton, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra | D Major | 3 | 10B | 133 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Ritual Action of the Ancestors | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 0 | 9B | 110 BPM | ||
| Stravinsky: Petrouchka, Tableau I "La foire du Mardi-Gras": Danse russe (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 3 | 8B | 121 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| Overture to "The School for Scandal", Op. 5 | Samuel Barber, Atlanta Symphony Orchestra, Yoel Levi | A Minor | 1 | 8A | 101 BPM | ||
| The Rite of Spring, Part 2: II. Mystic Circles of the Young Girls | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 0 | 11A | 129 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Cantate: I. A lyke-wake dirge. Versus 1. Prelude "This ae nighte" | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss | B♭ Major | 1 | 6B | 153 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM |