"No Night There" by Mahalia Jackson had its release date on 1964. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mahalia Jackson's "Let's Pray Together" album is number 10 out of 11. No Night There is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of No Night There by Mahalia Jackson to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When The Gates Swing Open | Otis Clay | G Minor | 3 | 6A | 142 BPM | ||
| Back Water Blues | Bessie Smith | D♭ Minor | 2 | 12A | 116 BPM | ||
| Speak Lord | Tata Vega | D Minor | 6 | 7A | 150 BPM | ||
| I Dreamed That Heaven Was Like This | The Highway Q.C.'s, Johnnie Taylor | B♭ Major | 4 | 6B | 131 BPM | ||
| Ezekiel Saw the Wheel | The Golden Gate Quartet | F Major | 4 | 7B | 171 BPM | ||
| If You Just Hold Out | James Cleveland & The Southern California Community Choir | G Major | 3 | 9B | 199 BPM | ||
| Way Beyond The Blue | Eva Cassidy | F♯ Major | 3 | 2B | 115 BPM | ||
| The Way Up The Hill | The Highway Q.C.'s | D♭ Major | 2 | 3B | 129 BPM | ||
| The Lord Will Make A Way | The Fairfield Four | E♭ Major | 2 | 5B | 127 BPM | ||
| Stand By Me | The Staple Singers | A♭ Major | 1 | 4B | 88 BPM | ||
| Keep Your Lamp Trimmed And Burning | Derek Trucks, Susan Tedeschi | A Major | 3 | 11B | 71 BPM | ||
| Ninety-Nine And A Half | Dorothy Love Coates, The Original Gospel Harmonettes | G Major | 4 | 9B | 93 BPM | ||
| Were You There | Sam Cooke, The Soul Stirrers | B Major | 6 | 1B | 102 BPM | ||
| Victory Is Mine _ Old School Blvd (I Need Thee, Shine On Me) | Dorothy Norwood | B♭ Major | 7 | 6B | 178 BPM | ||
| You Can Call On God v1.1 | New Jersey Mass Choir | C Major | 6 | 8B | 159 BPM | ||
| Total Praise | The Brooklyn Tabernacle Choir | D♭ Major | 4 | 3B | 95 BPM | ||
| Goin' Up Yonder | The Golden Gospel | F♯ Major | 2 | 2B | 88 BPM | ||
| I Surrender All | The Sensational Nightingales | F Major | 2 | 7B | 133 BPM | ||
| Oh Mary, Don't You Weep (feat. Kim Harris & Reggie Harris) | Bernice Johnson Reagon, Reggie Harris, Kim Harris | E♭ Minor | 5 | 2A | 112 BPM | ||
| I Need A Church | The Golden Gospel | G Major | 5 | 9B | 178 BPM | ||
| No Tears In Glory | Rev. F.C. Barnes | A♭ Major | 6 | 4B | 123 BPM | ||
| Moses Don't Get Lost | Bessie Jones, Alan Lomax | D♭ Major | 9 | 3B | 128 BPM | ||
| Chimes of Freedom | The Brothers And Sisters, Gloria Jones, Don Watt Sr. | C Major | 4 | 8B | 128 BPM | ||
| He's Calling Me | Dorothy Love Coates, The Original Gospel Harmonettes | G Major | 6 | 9B | 182 BPM | ||
| Lord, Lord You've Been So Good To Me | The Five Blind Boys Of Mississippi | G Major | 8 | 9B | 128 BPM |