"Why Do You Run" by Arid had its release date on February 3, 2008. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 10 in All Things Come in Waves by Arid. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Why Do You Run is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Why Do You Run by Arid is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Addicted | Daan | A Major | 6 | 11B | 97 BPM | ||
| Oh Darkness | Admiral Freebee | E Major | 9 | 12B | 149 BPM | ||
| Forget Her | Jasper Steverlinck | A Minor | 4 | 8A | 183 BPM | ||
| Black River | Mooneye | F♯ Minor | 4 | 11A | 131 BPM | ||
| Move Your Head | Arid | G Major | 9 | 9B | 116 BPM | ||
| Are You Lonely Too | Mooneye | G Minor | 6 | 6A | 123 BPM | ||
| Let's Not Fall Apart | Broken Glass Heroes | G Major | 8 | 9B | 134 BPM | ||
| Autumn | Green Lizard | B Major | 6 | 1B | 148 BPM | ||
| No Escape | BirdPen | G Minor | 5 | 6A | 156 BPM | ||
| Conversation Intercom | Soulwax | B Major | 9 | 1B | 92 BPM | ||
| Don't Stop | Sarah Bettens | B♭ Major | 5 | 6B | 87 BPM | ||
| End Of The Line | Absynthe Minded | A Major | 8 | 11B | 137 BPM | ||
| Eternity | Daan | D♭ Minor | 8 | 12A | 102 BPM | ||
| Soft Spoken Words | Trixie Whitley | F Major | 7 | 7B | 160 BPM | ||
| Hotellounge (Be the Death of Me) | dEUS | A Major | 5 | 11B | 157 BPM | ||
| Come On | Arid | F Major | 9 | 7B | 190 BPM | ||
| Nothing Really Ends | dEUS | D Minor | 5 | 7A | 119 BPM | ||
| Infinite down | Zita Swoon | C Major | 5 | 8B | 124 BPM | ||
| Promises of No Man's Land | Blaudzun | G Minor | 8 | 6A | 124 BPM | ||
| Until I Find You | Tim Vanhamel | D Major | 8 | 10B | 178 BPM | ||
| Lover to Stranger | Mooneye | A Minor | 4 | 8A | 134 BPM | ||
| Fields of Gold | Girls In Hawaii | D Major | 4 | 10B | 82 BPM | ||
| To Win The World | Puggy | A Minor | 8 | 8A | 133 BPM | ||
| Beam | Absynthe Minded | A♭ Minor | 5 | 1A | 126 BPM | ||
| The High Life | Arid | F♯ Minor | 6 | 11A | 115 BPM |