"The Sound, The Flood, The Hour" by The Crimson Armada had its release date on July 7, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Crimson Armada's "Guardians" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Sound, The Flood, The Hour's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Sound, The Flood, The Hour by The Crimson Armada to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There Is No Business to Be Done on a Dead Planet | All Shall Perish | C Minor | 10 | 5A | 110 BPM | ||
| Elimination | Born Of Osiris | G Major | 10 | 9B | 151 BPM | ||
| Liberation Of A Giant | A Different Breed Of Killer | A Major | 9 | 11B | 135 BPM | ||
| Slit Wrist Savior | Carnifex | D♭ Minor | 10 | 12A | 106 BPM | ||
| Comfortable With Corpses | My Bitter End | F♯ Minor | 10 | 11A | 96 BPM | ||
| Articulation | Abacabb | B Minor | 10 | 10A | 121 BPM | ||
| Ground Zero | As Blood Runs Black | B Major | 10 | 1B | 115 BPM | ||
| Serpents | Annotations Of An Autopsy | A♭ Major | 10 | 4B | 132 BPM | ||
| Incinerate | Elysia | C Minor | 9 | 5A | 116 BPM | ||
| Her Poisoned Tongues | Conducting From The Grave | C Major | 10 | 8B | 110 BPM | ||
| Revelations | The Crimson Armada | D♭ Major | 10 | 3B | 131 BPM | ||
| Forever Dying | Last House On The Left | C Major | 9 | 8B | 165 BPM | ||
| Babytron Decipticon | Thus Spoke Zarathustra, Mantikore | B♭ Minor | 8 | 3A | 160 BPM | ||
| Never Seen Again | Last House On The Left | C Minor | 10 | 5A | 154 BPM | ||
| Guardian | The Crimson Armada | D Minor | 10 | 7A | 120 BPM | ||
| Redeeming the Wretched | After The Burial | D♭ Major | 9 | 3B | 104 BPM | ||
| How To Disconnect From Your Social Surrounding In Half An Hour | War From A Harlots Mouth | C Major | 10 | 8B | 122 BPM | ||
| Digitally Transmitted Disease | King Conquer | D♭ Major | 10 | 3B | 126 BPM | ||
| Nailgun Massacre | Burning The Masses | D♭ Major | 10 | 3B | 125 BPM | ||
| You've Changed | The Crimson Armada | E Major | 10 | 12B | 117 BPM | ||
| Misery Hymn | The Red Shore | D♭ Major | 10 | 3B | 104 BPM | ||
| Battle Axe | From The Shallows | A♭ Major | 10 | 4B | 149 BPM | ||
| Unbreakable | Veil Of Maya | D♭ Major | 10 | 3B | 118 BPM | ||
| Terror Starts At Home | Beneath The Sky | G Major | 10 | 9B | 141 BPM | ||
| Malevolence | A Plea for Purging | F♯ Major | 10 | 2B | 120 BPM |