Rajendra Vaishampayan's ' "Deeppujan" was released on its scheduled release date, January 4, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 37 in Durga Shapta Sati Pathan by Shri Mahadev Vaishampayan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Deeppujan's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Deeppujan by Rajendra Vaishampayan is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Visnusuktam | Govindarajan, Malola Kannan | D♭ Major | 3 | 3B | 159 BPM | ||
| Ek Shloki Ramayan | Ankita Bramhe | C Minor | 3 | 5A | 118 BPM | ||
| Asmin Paraathman 11 times | Sukeerti Ranganathan | B Major | 8 | 1B | 130 BPM | ||
| Srisuktam | Govindarajan, Malola Kannan | D♭ Major | 6 | 3B | 133 BPM | ||
| Poornaviram | Rajendra Vaishampayan | C Major | 3 | 8B | 84 BPM | ||
| Manipur Chakra From Back | Rajendra Vaishampayan | F♯ Minor | 2 | 11A | 135 BPM | ||
| Ashtalakshmi Stotra | Jaishree Aravind, K.S. Surekha | C Major | 2 | 8B | 126 BPM | ||
| Shiva Mansa Puja | Malola Kannan, J Bhakthavatsalam | C Major | 4 | 8B | 174 BPM | ||
| Japji Sahib Pauri 17 - 19 (Asankh Jap Tu Sada Salamt Nirkaar) | The Sikh Foundation | B♭ Major | 2 | 6B | 173 BPM | ||
| Ashtothara Shatanama Stotram | Prasath Sai, Prakash Kumar | B♭ Major | 3 | 6B | 88 BPM | ||
| Vyankatesh Stotra | Rajendra Vaishampayan | F♯ Major | 1 | 2B | 171 BPM | ||
| ओम राधा माधव संयोगिनी नमः | Premanand Maharaj | A Major | 5 | 11B | 147 BPM | ||
| Gaato Vasudev Mi Eka | Baba Maharaj Satarkar | D Minor | 7 | 7A | 110 BPM | ||
| Datta Stotra | Shrirang Bhave | E Major | 3 | 12B | 73 BPM | ||
| Om Namo Bhagavate Vasudevay-Vasudev Dhyan Mantra | Nidhi Dholakia | A♭ Major | 1 | 4B | 175 BPM | ||
| Sri Navagraha Stotram | Vidyabhushana | E♭ Minor | 3 | 2A | 104 BPM | ||
| Shri Ganapati Atharvashirsha | Inner Splendor, Shri Vivek Godbole | D Major | 3 | 10B | 90 BPM | ||
| Ganapathi Ashtothara Sathanamavali | Bombay Sisters | D Major | 4 | 10B | 138 BPM | ||
| Mangalashtakam | Chennai Sisters | D Major | 4 | 10B | 81 BPM | ||
| Aasirvachana Mantram | Hari Achuta Rama Sastry | G Major | 3 | 9B | 107 BPM | ||
| Bhagvad Gita Adhyay, Pt. 15 | Bhaktishri | G Major | 2 | 9B | 141 BPM | ||
| Adi shiv | Harshit Tiwari, Mrityunjay Hirmeth, Mritunjay Hirmeth | E♭ Minor | 2 | 2A | 92 BPM | ||
| Sukalambaradham | Bombay Sisters | F♯ Major | 2 | 2B | 91 BPM | ||
| Shree Siddha Mangal Stotra | Kamalakar Tapasvi | D♭ Major | 6 | 3B | 80 BPM | ||
| Ganesh Atharvashirsh | Devi Divya Shakti | D♭ Major | 5 | 3B | 104 BPM |