"Anti-axis" by Darkest Hour had its release date on July 1, 2014. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 15 in Darkest Hour by Darkest Hour. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Anti-axis is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Anti-axis by Darkest Hour is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Die In Degrees | All That Remains | D Minor | 9 | 7A | 104 BPM | ||
| Mordecai | Between The Buried And Me | E Major | 9 | 12B | 149 BPM | ||
| Reinventing the Noose | Himsa | F Minor | 10 | 4A | 120 BPM | ||
| Her Poisoned Tongues | Conducting From The Grave | C Major | 10 | 8B | 110 BPM | ||
| Tower of Snakes | Eighteen Visions | E Major | 10 | 12B | 141 BPM | ||
| Become The Catalyst | All That Remains | D Major | 10 | 10B | 104 BPM | ||
| Echelons To Molotovs | The Human Abstract | A♭ Major | 10 | 4B | 97 BPM | ||
| Comatose | Threat Signal | D♭ Major | 10 | 3B | 155 BPM | ||
| Say Goodbye | I Killed The Prom Queen | A Minor | 10 | 8A | 120 BPM | ||
| Shadows in the Light | Unearth | G Major | 10 | 9B | 179 BPM | ||
| Forgive and Forget | Miss May I | F Minor | 10 | 4A | 145 BPM | ||
| She Speaks to Me | Blood Has Been Shed | F♯ Major | 9 | 2B | 184 BPM | ||
| Blue and Gold | The Ghost Inside | G Major | 10 | 9B | 175 BPM | ||
| Sullivan | Bleed The Sky | E Minor | 9 | 9A | 150 BPM | ||
| Sympathy Orchestra | Bury Your Dead | F♯ Major | 10 | 2B | 108 BPM | ||
| Oceangrave | Disarmonia Mundi | G Major | 10 | 9B | 143 BPM | ||
| The Anhedonia Epidemic | Light This City | A♭ Major | 10 | 4B | 101 BPM | ||
| The Flesh & the Flowers of Death | Darkest Hour | C Minor | 3 | 5A | 69 BPM | ||
| Resist | As Blood Runs Black | D♭ Minor | 10 | 12A | 117 BPM | ||
| Focus Shall Not Fail | All That Remains | D Minor | 10 | 7A | 110 BPM | ||
| To Live and Die in Fire | Still Remains | A♭ Major | 10 | 4B | 96 BPM | ||
| The Worst Is yet to Come | Still Remains | A♭ Major | 10 | 4B | 194 BPM | ||
| Walls instead of Bridges | Neaera | C Major | 10 | 8B | 105 BPM | ||
| Ometh | After The Burial | D♭ Major | 10 | 3B | 108 BPM | ||
| Rain to the Sound of Panic | Himsa | C Major | 10 | 8B | 104 BPM |