On March 10, 2015, the song "Closure (Hampton vs. Depression: Final Boss)" was released by Hampton Yount. For a fairly short song, this song is "Closure (Hampton vs. Depression: Final Boss)" is considered an explicit song with a duration of 1:57. The song is number 10 out of 17 in Bearable by Hampton Yount. Closure (Hampton vs. Depression: Final Boss) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Closure (Hampton vs. Depression: Final Boss) by Hampton Yount is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Catch 22 | Robert Mac | C Major | 4 | 8B | 75 BPM | ||
| Reconnects & Disconnects | Adam Ray | G Major | 6 | 9B | 113 BPM | ||
| Aging Fuckbois | Paul Danke | F♯ Major | 4 | 2B | 81 BPM | ||
| The Burnt Earth Chronicles Volume Xc3 | Hampton Yount | D♭ Major | 5 | 3B | 70 BPM | ||
| German and Chinese | Bengt Washburn | B Major | 2 | 1B | 123 BPM | ||
| Axe Body Spray | Mike Vecchione | A Major | 10 | 11B | 124 BPM | ||
| Keep the Core Warm | Ian Bagg | C Major | 7 | 8B | 115 BPM | ||
| Euthanasia | David Cross | G Major | 4 | 9B | 124 BPM | ||
| Could Be Anything | Alex Edelman | F Major | 6 | 7B | 78 BPM | ||
| Bored Games | Hampton Yount | G Minor | 5 | 6A | 116 BPM | ||
| Nail Salon | Keith Alberstadt | B Minor | 7 | 10A | 122 BPM | ||
| Breakfast in Bed & Kids | Chris Fairbanks | A♭ Major | 4 | 4B | 73 BPM | ||
| Circus Sized Peanuts | Chris Fairbanks | D Minor | 4 | 7A | 131 BPM | ||
| Product Placement | Andrew Orvedahl | D♭ Major | 6 | 3B | 86 BPM | ||
| Sure I'll Do Choke Sex | Geoffrey Asmus | D Major | 6 | 10B | 97 BPM | ||
| Human Resources | Juan Forno | F Major | 2 | 7B | 82 BPM | ||
| Bad Science Market | Bengt Washburn | D Major | 4 | 10B | 120 BPM | ||
| Potato Problem | Matt Pavich | E♭ Major | 6 | 5B | 76 BPM | ||
| Pantsless | Brian Posehn | A♭ Major | 5 | 4B | 121 BPM | ||
| Used to Be Sexist | Steve Hofstetter | B♭ Major | 5 | 6B | 107 BPM | ||
| Paper Cut Decapitation | Steve Hofstetter | D Minor | 6 | 7A | 139 BPM | ||
| Contactless Everything | Nathan Macintosh | A Major | 8 | 11B | 86 BPM | ||
| Happy Birthday to Me | Ian Bagg | G Minor | 4 | 6A | 84 BPM | ||
| Seafood | Jim Gaffigan | A♭ Major | 6 | 4B | 87 BPM | ||
| Sweatpants in Perpetuity | Noah Gardenswartz | A♭ Major | 4 | 4B | 132 BPM |