On January 1, 1970, the song "Sawa Rupaya Lai Baba" was released by Channi, Minakshi Panchal. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in Boyfriend by Channi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Sawa Rupaya Lai Baba's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sawa Rupaya Lai Baba by Channi, Minakshi Panchal is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhoban | Varsha Katoch | D Major | 9 | 10B | 177 BPM | ||
| Mainu Dar Jeha Lagda | Hardev Mahinangal, Anita Samana | D♭ Major | 8 | 3B | 90 BPM | ||
| Tere Kanne Dil Kiya | Satish Thakur | A♭ Major | 10 | 4B | 112 BPM | ||
| Yaran Da Yar | Shafa Ullah Khan Rokhri | G Major | 9 | 9B | 104 BPM | ||
| Heera Laadiye (story of a women) | The-Sur-Kapital | A♭ Major | 5 | 4B | 127 BPM | ||
| Tassallian | Harpreet Dhillon, Sudesh Kumari | F♯ Major | 10 | 2B | 142 BPM | ||
| Jind Tere Na | Jashandeep | G Major | 9 | 9B | 131 BPM | ||
| Sawariya mui tar sawariya | Padhan Music | B Major | 8 | 1B | 93 BPM | ||
| Jag Nu Taran Wali | Kanth Kaler | D♭ Major | 8 | 3B | 118 BPM | ||
| Ek Bchche Ne Bhole Ji Ko | Ajit Anand, Channi, Minakshi Panchal | A♭ Minor | 9 | 1A | 82 BPM | ||
| Zindagi | Rajan Mattu | F Minor | 10 | 4A | 144 BPM | ||
| Kalaj | Sukhwinder Sukhi | B♭ Major | 9 | 6B | 89 BPM | ||
| Na Sada Bangla Na Sada Laari | Tahir Mehmood Nayyar | E Minor | 10 | 9A | 96 BPM | ||
| Maharas Song | કાનાની રૂબરૂ હાજરીયુ | Arjun Ahir New Song | Maharas | Arjun Ahir | G Major | 6 | 9B | 120 BPM | ||
| Sasu Paniya Kese Jau | Shivani | G Major | 9 | 9B | 82 BPM | ||
| Sankirtan | Devi Chitralekha | C Minor | 8 | 5A | 100 BPM | ||
| Durga Aarti | Manoj Tiwari Mridul, Kalpana, Alok Kumar | F Minor | 10 | 4A | 108 BPM | ||
| Do Busan Way Rawat Dian | Shafaullah Khan Rokhri | E Minor | 8 | 9A | 92 BPM | ||
| Nath Tera Nandi Pe Chale | Ram Kumar Lakkha | B♭ Minor | 10 | 3A | 176 BPM | ||
| Pehle to Kabhi Kabhi | Altaf Raja | D♭ Minor | 7 | 12A | 180 BPM | ||
| Phagun Mein Holi Khelungi | Pt. Ram Avtar Sharma, Neetu Singh | A♭ Major | 9 | 4B | 158 BPM | ||
| Dhol Bajate Yaari De | Dharampreet, Kuldeep Rasila, Surinder Bachan, Deepa Gholia | D♭ Minor | 7 | 12A | 132 BPM | ||
| Saali Naal Nach | Sonu Jaffer, Sudesh Kumari | E Major | 8 | 12B | 130 BPM | ||
| Gore Rang Da | Channi | F Minor | 9 | 4A | 176 BPM | ||
| Ki Karna Je Ke | Surjit Bhullar, Sudesh Kumari | F Minor | 9 | 4A | 80 BPM |