Shafa Ullah Khan Rokhri's ' "Mery Galy Deya Hara" was released on its scheduled release date, 2015. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Shafa Ullah Khan Rokhri's "Gila Tera" album is number 10 out of 12. On top of that, Pakistan appears to be the country where this track was created. In terms of popularity, Mery Galy Deya Hara is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mery Galy Deya Hara by Shafa Ullah Khan Rokhri to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sadi Yaari Diyan Misalan | Mumtaz Baloch | F♯ Major | 9 | 2B | 120 BPM | ||
| Kalay Cholay (Lofi) | Shafaullah Khan, Attaullah Khan | F Major | 8 | 7B | 94 BPM | ||
| Na Poch Hal Sadey | Adeel Sanwal | D♭ Minor | 7 | 12A | 82 BPM | ||
| Ae Ahden Chan Bahon Sohnran Ain | Tanveer Anjum | A♭ Major | 6 | 4B | 78 BPM | ||
| Dhola Jo Bewafa He | Shafa Ullah Khan Rokhri | B♭ Minor | 8 | 3A | 76 BPM | ||
| Mur Vy Dhola - Remix | Tahir Nayyar | C Minor | 8 | 5A | 102 BPM | ||
| Meriye Chhailadiye | Gramvasi | A♭ Major | 8 | 4B | 104 BPM | ||
| Kali Range | Naeem Hazarvi | E♭ Minor | 9 | 2A | 80 BPM | ||
| Alvida Maa | Har Gill | F Major | 8 | 7B | 94 BPM | ||
| Sajna De Tabedar Aan | Shahbaz Khan Phaphra | B Minor | 8 | 10A | 180 BPM | ||
| Close To Heart | Rupinder Handa, Rupin Kahlon | F♯ Minor | 8 | 11A | 144 BPM | ||
| Wy Tariya | Shafaullah Khan Rokhri | A Minor | 7 | 8A | 112 BPM | ||
| Chal Botal Chaa Dildar | Shafaullah Khan Rokhri | F♯ Major | 6 | 2B | 82 BPM | ||
| Ishq Hai Dard – Dard Bhari Mohabbat Ki Sachi Aawaz | Sami Kanwal | A♭ Minor | 8 | 1A | 152 BPM | ||
| Sohna Jeya Dhola Kala Souit | Wajid Ali Baghdadi | B Minor | 9 | 10A | 180 BPM | ||
| Sada Allah Waris Ay | Wajid Ali Baghdadi | D♭ Minor | 8 | 12A | 96 BPM | ||
| Ardaas | Baba Gulab Singh Ji | F Major | 8 | 7B | 94 BPM | ||
| Bewafa | Mohsin Ali Malangi | B Major | 9 | 1B | 106 BPM | ||
| 100 CHO 90 | Ekraj Kahnuwan | F Major | 8 | 7B | 94 BPM | ||
| Na Ruwa Na Ruwa | Arslan Chandu | B♭ Minor | 7 | 3A | 153 BPM | ||
| Bewafai Na Kar | Rahman Ali | D Major | 8 | 10B | 80 BPM | ||
| Luk Luk Duniyan Toh | Akram Rahi | G Major | 6 | 9B | 84 BPM | ||
| Zulfan Tedian Ludan Khawan Walay | Tahir Farooq | A♭ Minor | 9 | 1A | 198 BPM | ||
| Akhoo Sakheo | Shafaullah Khan Rokhri | A♭ Minor | 8 | 1A | 110 BPM | ||
| Kala Mera Gajra Vich Chanke | Nadeem Abbas Lunewala | F♯ Major | 8 | 2B | 108 BPM |