"Persian Garden for Violin & Orchestra" by Shahrdad Rohani, Shardad Rohani had its release date on January 1, 2013. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Persian Garden". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Estonia. In terms of popularity, Persian Garden for Violin & Orchestra is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Persian Garden for Violin & Orchestra by Shahrdad Rohani, Shardad Rohani having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Legend Descends - Fatalis 〜 Limitless Courage - World Version | 栗田博文, 東京フィルハーモニー交響楽団 | E♭ Major | 2 | 5B | 109 BPM | ||
| Germany (The Atomic Era) | Geoff Knorr, Phill Boucher | F Minor | 3 | 4A | 116 BPM | ||
| Quantum of Solace: A Night at the Opera | Royal Philharmonic Orchestra | A Minor | 1 | 8A | 89 BPM | ||
| Adagio for Cello & Orchestra | Shahrdad Rohani, London Philharmonic Orchestra, Mehrdad Alemi | C Major | 1 | 8B | 102 BPM | ||
| Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 28, Romeo with Friar Laurence | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 95 BPM | ||
| Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| A Very Unusual Melody | Murray Gold | C Major | 2 | 8B | 80 BPM | ||
| Daphnis et Chloe: Part I: Daphnis s'approche tendrement de Chloe | Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard | B♭ Minor | 4 | 3A | 82 BPM | ||
| The Attack (From "The Blue Max") | Jerry Goldsmith, Philharmonia Orchestra | C Major | 4 | 8B | 99 BPM | ||
| Rhapsody on the Theme of Holst | Yoshihisa Hirano | C Major | 5 | 8B | 132 BPM | ||
| Symphony No. 3 in D Minor, GMW 31: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 1 | 7B | 63 BPM | ||
| The Dustfolk Suite: II. Archie Imagines | Matt Cook | C Major | 2 | 8B | 140 BPM | ||
| First Coronation | Ryuichi Sakamoto | E Minor | 1 | 9A | 77 BPM | ||
| Ambush! | Jeremy Soule, The Elder Scrolls | C Minor | 2 | 5A | 69 BPM | ||
| Elegia | Bill Evans Trio | E Minor | 1 | 9A | 71 BPM | ||
| Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: IV. Feierlich | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Minor | 1 | 2A | 62 BPM | ||
| Myrtle | Debbie Wiseman, National Symphony Orchestra | F Minor | 1 | 4A | 82 BPM | ||
| Main Theme From Star Wars And Leia's Nightmare | Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | B♭ Major | 3 | 6B | 84 BPM | ||
| Realized Capacity | Yoshihisa Hirano | F Minor | 9 | 4A | 160 BPM | ||
| Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Armin Jordan, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 150 BPM | ||
| 5th movement The Forest of the Deer God | Joe Hisaishi | C Major | 1 | 8B | 101 BPM | ||
| Tornado | Stephan Schutze, Melbourne Symphony | A Major | 2 | 11B | 117 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64, Act 3, Scene 1: The Last Farewell | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Thinking Of Marie | John Powell | D♭ Minor | 0 | 12A | 99 BPM |