Rune Gustafsson, Tommy Körberg, Hans Backenroth's ' "What did I do to be so black and blue" was released on its scheduled release date, January 1, 1995. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Standards". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. In terms of popularity, What did I do to be so black and blue is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With What did I do to be so black and blue by Rune Gustafsson, Tommy Körberg, Hans Backenroth having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Candlelight Sax | Dolce Vita | A Minor | 2 | 8A | 118 BPM | ||
| Mr. Paris | Tingl. | A♭ Major | 3 | 4B | 89 BPM | ||
| Brass After Midnight - Jazz Version | Between Silences, Across the Brass | A♭ Major | 3 | 4B | 89 BPM | ||
| As Time Goes By | Alice Babs, Bengt Hallberg Trio, Rune Gustafsson | A♭ Minor | 3 | 1A | 117 BPM | ||
| Per Ennio 1 | Eric Vloeimans, Jörg Brinkmann | E♭ Minor | 1 | 2A | 81 BPM | ||
| What Matters Stays | A Jazz Story | A♭ Major | 3 | 4B | 89 BPM | ||
| Playing with Fire | Smoke & Sonata | E♭ Major | 3 | 5B | 77 BPM | ||
| Loggia sul Fiume | Crying Mirror | C Minor | 3 | 5A | 73 BPM | ||
| Every Shape of Pause | Fifth Window | F Minor | 1 | 4A | 217 BPM | ||
| Hazy | Blush Object | D♭ Major | 1 | 3B | 166 BPM | ||
| Solitude Hidden Track | Amanda Finn | E♭ Major | 3 | 5B | 94 BPM | ||
| I'll Never Get Myself Another Face (Ich Kann Nun Mal Aus Meiner Haut Nicht Raus) | Sylvia Vrethammar, Rune Gustafsson | C Minor | 1 | 5A | 92 BPM | ||
| The Rose and the Revolver | Diva Noir | B Major | 1 | 1B | 86 BPM | ||
| Never Since November | Gary Cole Quartet | C Major | 2 | 8B | 131 BPM | ||
| Son of a Preacher Man | Rune Gustafsson | G Major | 8 | 9B | 120 BPM | ||
| Tangerine | Rune Gustafsson | A Minor | 4 | 8A | 120 BPM | ||
| Where We Used To Live | Esbjörn Svensson Trio | C Major | 1 | 8B | 95 BPM | ||
| Vi Skal Ikkje Sova Bort Sumarnatta | Terje Gewelt | E Minor | 1 | 9A | 108 BPM | ||
| Ecnamor | Steve Dobrogosz, Petur Östlund | B♭ Minor | 1 | 3A | 156 BPM | ||
| June Night | Svend Asmussen | G Minor | 1 | 6A | 169 BPM | ||
| Cigarette Smoke Rings | Callum Norwich | C Major | 1 | 8B | 85 BPM | ||
| Carinhoso | Colina-Lupano Duo | F Major | 1 | 7B | 101 BPM | ||
| Subway | Jan Allan, Christina von Bülow, Rune Gustafsson, George Riedel | F♯ Major | 0 | 2B | 92 BPM | ||
| Song For A Toreador | Anders Widmark | A Minor | 1 | 8A | 114 BPM | ||
| Poisoned Lights | The Last Jazz Volley | E Minor | 2 | 9A | 113 BPM |