Quintessenz, Active's 'Friday' had a release date set for January 24, 2015. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Friday - Single and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Friday's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Friday by Quintessenz, Active is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Inocencia | Juan Pablo Fernández Ramos | C Major | 0 | 8B | 109 BPM | ||
| 弦楽セレナード ホ短調 作品20: 第3楽章: Allegretto | Edward Elgar, 石田泰尚, 石田組 | F Major | 3 | 7B | 116 BPM | ||
| Chanson et passapied - Instrumental Version | Daniel Sanchez | G Major | 1 | 9B | 83 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Quintett No.3 in E flat for solo Clarinet and String Orchestra Op.23: II. Adagio | Heinrich Joseph Baermann, Sabine Meyer, Kenneth Sillito, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 66 BPM | ||
| Sonata for Violin & Harp in C Minor, WoO 23 (Version for Flute & Harp): II. Andante - Allegro - Andante | Louis Spohr, András Adorján, Marielle Nordmann | A Major | 2 | 11B | 101 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13 (Arr. G. Hinze for Flute Ensemble): Notturno | Felix Mendelssohn, Quintessenz | D Minor | 2 | 7A | 142 BPM | ||
| 3 Romances, Op. 22 (Arr. for Oboe & Piano by Nicholas Daniel): No. 1, Andante molto | Clara Schumann, Nicholas Daniel, Julius Drake | D♭ Major | 1 | 3B | 69 BPM | ||
| Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
| Nocturne | Anatoli Brandukov, Jens Peter Maintz, Lithuanian Chamber Orchestra Vilnius, David Geringas | A Major | 0 | 11B | 93 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | D Minor | 2 | 7A | 142 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI):III. Variazione I | Ernst Krähmer, Claudio Ferrarini | D Minor | 2 | 7A | 142 BPM | ||
| Concerto for Oboe and Small Orchestra in D Major, Op. 144: III. Vivace - Allegro | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 126 BPM | ||
| La fuerza del destino | Juan Pablo Fernández Ramos | D Minor | 2 | 7A | 142 BPM | ||
| Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | ||
| Thaïs: Méditation - Arranged for Flute and Piano by Anete Toča | Jules Massenet, Anete Toča, Mārtiņš Zilberts | D Major | 1 | 10B | 137 BPM | ||
| Carnival of the Animals: V. The Elephant (Arr. G. Hinze and C. Sprenger for flute ensemble) | Camille Saint-Saëns, Quintessenz | E♭ Major | 1 | 5B | 126 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | D Minor | 2 | 7A | 142 BPM | ||
| The Red Bean Poem | The Royal Wind Music | E♭ Minor | 0 | 2A | 87 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variazione IV | Ernst Krähmer, Claudio Ferrarini | D Minor | 2 | 7A | 142 BPM | ||
| Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): II. Allegro | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | A Minor | 1 | 8A | 134 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Sonate, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | D Major | 0 | 10B | 169 BPM |