Milind Ingle's ' "Sunder Kokanraj" was released on its scheduled release date, April 3, 2024. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. Since Sunder Kokanraj only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Sunder Kokanraj is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sunder Kokanraj by Milind Ingle having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ali More Angana | Shubha Mudgal | B♭ Major | 8 | 6B | 140 BPM | ||
| Dongar Kathadi Thakaradi | Ravindra, Chandrakant Kale | A Major | 5 | 11B | 138 BPM | ||
| Chale Re | Ustad Sultan Khan, K. S. Chithra | F♯ Major | 5 | 2B | 132 BPM | ||
| Piya Basanti | Ustad Sultan Khan, K. S. Chithra | B♭ Major | 3 | 6B | 101 BPM | ||
| Pyar | Milind Ingle | A♭ Major | 8 | 4B | 144 BPM | ||
| Chandanyat Phirtana | Asha Bhosle | D♭ Minor | 4 | 12A | 113 BPM | ||
| Kuni Majhya Manat Laplay Re | Usha Mangeshkar, Chandrashekhar Gadgil | A Minor | 3 | 8A | 88 BPM | ||
| Tula Pahate Re | Aarya Ambekar, Ashok Patki | B♭ Major | 3 | 6B | 104 BPM | ||
| Dekh Lo Aaj Hamko | Jagjit Kaur | A♭ Major | 4 | 4B | 88 BPM | ||
| Aao Na Aao Na | Jatin-Lalit, Jatin Pandit | D Major | 5 | 10B | 78 BPM | ||
| Paus Datalela | Milind Ingle | D Major | 8 | 10B | 101 BPM | ||
| Tu Paas Hai | Pankaj Udhas | F Major | 3 | 7B | 89 BPM | ||
| Bhola Bhandari | Arijit Singh, Shivam Mahadevan | A Major | 4 | 11B | 111 BPM | ||
| Tula Pahate Re | Sohni Bhatt | F♯ Major | 10 | 2B | 90 BPM | ||
| Ka Kalena- Female | Bela Shende | C Major | 7 | 8B | 124 BPM | ||
| Surat Piya Ki Na Chhin Bisaraye | Vasantrao Deshpande | G Major | 6 | 9B | 162 BPM | ||
| Kali Ghodi Dwar Khadi | K. J. Yesudas, Haimanti Sukla | G Major | 7 | 9B | 94 BPM | ||
| Ye Naar Ye Naar | Angha Domse, Jaanvi Arora | F Major | 5 | 7B | 100 BPM | ||
| Dil Ki Tapish | Rahul Deshpande | D Major | 7 | 10B | 116 BPM | ||
| Tujhya Roopacha Chandana | Prasanjeet Kosambi, Aanandi Joshi | G Minor | 3 | 6A | 120 BPM | ||
| Laga Chunari Men Daag | Manna Dey, Roshan | A♭ Minor | 7 | 1A | 84 BPM | ||
| Paus | Ketaki Mategaonkar | F♯ Major | 7 | 2B | 124 BPM | ||
| Vesavchi Paru Nesali Go | Shrikant Narayan | A♭ Major | 6 | 4B | 86 BPM | ||
| Raat Ashi Preet Ashi | Sachin, Anuradha Paudwal | C Major | 5 | 8B | 98 BPM | ||
| Drushta Lagnya Joge Sare | Anuradha Paudwal, Suresh Wadkar | A♭ Minor | 6 | 1A | 86 BPM |