"The Promise" by Philip Glass had its release date on 2007. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. The Promise's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Notes on a Scandal (Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The popularity of The Promise is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Promise by Philip Glass having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Víkingur Ólafsson | D Minor | 0 | 7A | 64 BPM | ||
| Near Light | Ólafur Arnalds, Mari Samuelsen, Hakon Samuelsen, TrondheimSolistene | D Major | 1 | 10B | 132 BPM | ||
| Alma | Jonny Greenwood | C Major | 1 | 8B | 99 BPM | ||
| My fellow creatures | Carlos Cipa | E Minor | 0 | 9A | 104 BPM | ||
| Why Does Someone Have to Die? | Philip Glass | G Minor | 0 | 6A | 78 BPM | ||
| 5.5 Gavottes | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | C Minor | 2 | 5A | 102 BPM | ||
| Eights | Rachel Grimes | C Major | 2 | 8B | 104 BPM | ||
| The Twelve Theme | Federico Albanese | D♭ Major | 0 | 3B | 135 BPM | ||
| Eyes Shut - Nocturne in C Minor | Ólafur Arnalds, Alice Sara Ott | C Minor | 0 | 5A | 107 BPM | ||
| Winter 3 - 2012 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Minor | 3 | 4A | 111 BPM | ||
| Went Missing | Nils Frahm | A♭ Minor | 0 | 1A | 120 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Woman's Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
| Pärt: Spiegel im Spiegel | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 80 BPM | ||
| The Last Man | Clint Mansell | D Minor | 0 | 7A | 79 BPM | ||
| Above and Below, B Minor | Víkingur Ólafsson, Peter Gregson | B Minor | 2 | 10A | 137 BPM | ||
| Metamorphosis: Two | Philip Glass | A Minor | 5 | 8A | 180 BPM | ||
| Les feuilles mortes | Jean-Michel Blais | C Minor | 1 | 5A | 136 BPM | ||
| Gardermoen | Julia Kent | G Minor | 1 | 6A | 128 BPM | ||
| 6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
| My Friend the Forest | Nils Frahm | A♭ Major | 0 | 4B | 83 BPM | ||
| Prospectors Arrive | Jonny Greenwood | F Minor | 2 | 4A | 66 BPM | ||
| The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
| Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
| Gnossienne No. 1 | Erik Satie, Reinbert de Leeuw | F Minor | 0 | 4A | 70 BPM |