Aston's ' "Rude Boy" was released on its scheduled release date, October 22, 2010. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 9 in Aston by Aston. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. The popularity of Rude Boy is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Rude Boy by Aston is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pink Pony Club | Raúl Pierre | F♯ Major | 1 | 2B | 87 BPM | ||
| Come Get Her | Andrew Savoia | D Major | 3 | 10B | 93 BPM | ||
| Never Enough (From "The Greatest Showman") | Justin Paul, Jenny Oaks Baker, The Shadow Mountain Symphony | F♯ Major | 3 | 2B | 130 BPM | ||
| Maps | Steve Petrunak | D♭ Minor | 5 | 12A | 120 BPM | ||
| 2 Days Ago | Roger Louis Harmon | B♭ Major | 1 | 6B | 90 BPM | ||
| Colin Bridgerton | Sweet Strings, Jorge Sánchez Álvarez | G Major | 6 | 9B | 170 BPM | ||
| Exurgency | Zoë Keating, Zoe Clare Keating | G Minor | 3 | 6A | 90 BPM | ||
| Gypsy Train | The Trouble Notes | B Minor | 10 | 10A | 161 BPM | ||
| Chasing Cars | Simply Three | E Major | 8 | 12B | 115 BPM | ||
| Teenage Dream | PanPacific Pop Orchestra | B♭ Major | 4 | 6B | 120 BPM | ||
| Khe Sanh | Aston | G Major | 3 | 9B | 59 BPM | ||
| Ghost Town - Instrumental | Brian Catuccio | D♭ Major | 3 | 3B | 81 BPM | ||
| To Dust | Helen Jane Long | G Major | 2 | 9B | 155 BPM | ||
| Skye Boat Song | The String Family | A Major | 3 | 11B | 86 BPM | ||
| We Can't Be Friends | Atwood Quartet | F Major | 3 | 7B | 116 BPM | ||
| Firework | Jeremy Green | A♭ Major | 5 | 4B | 83 BPM | ||
| Wrecking Ball - Solo Piano Version | Stephan Moccio | F Major | 1 | 7B | 113 BPM | ||
| Septimus | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 7 | 9B | 154 BPM | ||
| Unlocking The Mind - Extended Trailer Music | Samuel Bohn | B♭ Major | 4 | 6B | 122 BPM | ||
| Déjate Llevar | Aston | A Major | 4 | 11B | 124 BPM | ||
| Luminary (for the Nashville Fantasy Ball) | Atwood Quartet | F♯ Minor | 3 | 11A | 131 BPM | ||
| Michael Meets Mozart | The Piano Guys | A Minor | 5 | 8A | 91 BPM | ||
| She Chose Her | Drew Wiegman, Brynnley | F♯ Minor | 5 | 11A | 88 BPM | ||
| Animals | Steve Petrunak | E Minor | 5 | 9A | 95 BPM | ||
| Chandelier | Vitamin String Quartet | B♭ Major | 4 | 6B | 174 BPM |