Count Basie's ' "Blue And Sentimental - 1952 Version" was released on its scheduled release date, January 1, 1956. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "The Swinging Count!". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Blue And Sentimental - 1952 Version is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Blue And Sentimental - 1952 Version by Count Basie having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cherokee | Charlie Barnet | B♭ Major | 4 | 6B | 172 BPM | ||
| Stomping at the Renny (05-25-37) | Edgar Hayes | A♭ Major | 5 | 4B | 173 BPM | ||
| Doctor Jazz | Jelly Roll Morton | A♭ Minor | 5 | 1A | 202 BPM | ||
| Eleven Cents a Dozen - 1936 Version | Raymond Scott, WABC Merrymakers | G Minor | 4 | 6A | 136 BPM | ||
| Count's Organ Blues | The Count Basie Sextet | A♭ Major | 5 | 4B | 117 BPM | ||
| Original Dixieland One Step | Jack Teagarden | A♭ Major | 6 | 4B | 109 BPM | ||
| Tia Juana | Bud Freeman | G Major | 6 | 9B | 202 BPM | ||
| Sorghum Switch | Jimmy Dorsey & His Orchestra | F Major | 3 | 7B | 139 BPM | ||
| Laff, Slam, Laff | Slam Stewart | B♭ Minor | 2 | 3A | 144 BPM | ||
| Hey There (From "The Pajama Game") | Jonah Jones | D♭ Major | 3 | 3B | 112 BPM | ||
| Flying Home (Arr. F. Henderson) | Will Bradley, Will Bradley Orchestra | D♭ Major | 4 | 3B | 171 BPM | ||
| Study In Blue | Larry Clinton | D♭ Major | 5 | 3B | 158 BPM | ||
| Rose Room | Jonathan Stout and his Campus Five, Hilary Alexander | A♭ Major | 4 | 4B | 140 BPM | ||
| I'm Goin' Huntin' | Johnny Dodds, Jimmy Blythe | E♭ Major | 3 | 5B | 95 BPM | ||
| Milenberg Joys | Lu Watters Yerba Buena Jazz Band | B♭ Major | 5 | 6B | 174 BPM | ||
| Cross Your Heart | Buddy DeSylva, Lewis Gensler, Artie Shaw & his Gramercy Five | D Major | 7 | 10B | 80 BPM | ||
| Up In The Blues | Freddie Green | C Major | 4 | 8B | 197 BPM | ||
| Parc on Summit | Glenn Crytzer | G Major | 4 | 9B | 183 BPM | ||
| For Dancers Only | Jimmie Lunceford | C Minor | 3 | 5A | 154 BPM | ||
| Honeysuckle Rose | James P. Johnson | F Major | 3 | 7B | 105 BPM | ||
| Boogie Blues - 1999 - Remaster | Gene Krupa | E♭ Major | 3 | 5B | 137 BPM | ||
| God Bless My Solo | Illinois Jacquet | A♭ Major | 4 | 4B | 94 BPM | ||
| Do Nothing Till You Hear from Me | Cootie Williams | G Minor | 5 | 6A | 126 BPM | ||
| Buster's Tune | Buster Smith | A♭ Major | 5 | 4B | 180 BPM | ||
| Tippin' In - Digitally Mastered - September 1991 | Erskine Hawkins & His Orchestra | B♭ Major | 4 | 6B | 143 BPM |