Rory Block's ' "In My Girlish Days" was released on its scheduled release date, March 27, 2020. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Prove It On Me". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Canada. Based on our statistics, In My Girlish Days's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With In My Girlish Days by Rory Block having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Walk out That Door | Shakura S'Aida | F Minor | 6 | 4A | 100 BPM | ||
| Someday After a While | Carl Verheyen | F Major | 6 | 7B | 115 BPM | ||
| Outskirts of Memphis | Shakura S'Aida | A♭ Major | 8 | 4B | 125 BPM | ||
| Come to the River | Hans Theessink, Terry Evans | D Major | 4 | 10B | 115 BPM | ||
| Hell In A Handbasket | Curtis Salgado, Alan Hager | G Major | 3 | 9B | 92 BPM | ||
| Wandering Heart | Danielle Nicole | E♭ Major | 4 | 5B | 92 BPM | ||
| Why (Am I Treated So Bad) | Dee Dee Bridgewater | A Major | 5 | 11B | 98 BPM | ||
| Blues Is My Business | Karen Lovely | C Major | 7 | 8B | 112 BPM | ||
| Bad to the Bone | Carolyn Wonderland | E Minor | 1 | 9A | 169 BPM | ||
| The World is in a Tangle | Jontavious Willis | E Major | 6 | 12B | 109 BPM | ||
| Two-Fisted Mama | Katie Webster | C Major | 5 | 8B | 144 BPM | ||
| Canned Heat | Fiona Boyes | F Minor | 6 | 4A | 100 BPM | ||
| Aged And Mellow | Catherine Russell | F♯ Major | 2 | 2B | 157 BPM | ||
| Blue River Rising | Michael van Merwyk | G Minor | 2 | 6A | 109 BPM | ||
| I'm A Steady Rollin' Man - Studio | Peter Green Splinter Group | G Major | 4 | 9B | 124 BPM | ||
| North County Woman | Doug MacLeod, Denny Croy, Dave Kida, Carl Sonny Leyland | D Major | 5 | 10B | 120 BPM | ||
| Back To The River | Susan Tedeschi | B Minor | 8 | 10A | 92 BPM | ||
| Gypsie Boy | Rory Block | G Major | 1 | 9B | 173 BPM | ||
| You Can't Always Get What You Want | Luther Allison | A Major | 6 | 11B | 92 BPM | ||
| 'Till The Money Runs Out | John Hammond | G Major | 6 | 9B | 120 BPM | ||
| Been Here Before | Christone "Kingfish" Ingram | A Major | 3 | 11B | 123 BPM | ||
| Good Stuff | Eric Bibb, Rory Block, Maria Muldaur | D Major | 4 | 10B | 108 BPM | ||
| Walking Blues | Rory Block, Stefan Grossman | B♭ Major | 1 | 6B | 106 BPM | ||
| Turning Point | Rory Block | A Major | 5 | 11B | 114 BPM | ||
| Wind Cries Mary | Jamie Cullum | B♭ Minor | 6 | 3A | 78 BPM |