Kome Kome Club's ' "抱きしめたい(THE LAST SYMPOSIUM〜米米CLUB ラスト・ライヴ in 東京ドーム〜)" was released on its scheduled release date, 1997. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "THE LAST SYMPOSIUM〜米米CLUB ラスト・ライヴ in 東京ドーム〜". In this album, this song's track order is #34. Furthermore, we believe that the track originated from Japan. Based on our statistics, 抱きしめたい(THE LAST SYMPOSIUM〜米米CLUB ラスト・ライヴ in 東京ドーム〜)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 抱きしめたい(THE LAST SYMPOSIUM〜米米CLUB ラスト・ライヴ in 東京ドーム〜) by Kome Kome Club having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Love Youからはじめよう | Anzen Chitai | E Major | 7 | 12B | 118 BPM | ||
| サマータイム ブルース | Misato Watanabe | C Major | 9 | 8B | 130 BPM | ||
| とんぼ | Tsuyoshi Nagabuchi | G Major | 8 | 9B | 110 BPM | ||
| BEAT | Ryuichi Kawamura | C Major | 8 | 8B | 130 BPM | ||
| ずっと好きだった | Kazuyoshi Saito | B♭ Major | 9 | 6B | 128 BPM | ||
| LONELY BUTTERFLY | REBECCA | C Major | 9 | 8B | 142 BPM | ||
| CRAZY GONNA CRAZY | TRF | D Major | 8 | 10B | 132 BPM | ||
| 糸 | 中島みゆき | D Major | 2 | 10B | 81 BPM | ||
| 桃色吐息 | Mariko Takahashi | D♭ Minor | 6 | 12A | 127 BPM | ||
| ラブ・ストーリーは突然に | Kazumasa Oda | B Minor | 8 | 10A | 114 BPM | ||
| 世界でいちばん熱い夏 (平成レコーディング) 08ver. | PRINCESS PRINCESS | A Major | 9 | 11B | 146 BPM | ||
| Special Love | Kome Kome Club | G Minor | 9 | 6A | 126 BPM | ||
| 渚にまつわるエトセトラ | Puffy AmiYumi | A Major | 8 | 11B | 129 BPM | ||
| 「派手!!!」 | 中山美穂 | C Major | 7 | 8B | 98 BPM | ||
| 笑顔の行方 | DREAMS COME TRUE | G Minor | 7 | 6A | 130 BPM | ||
| 少年時代 - Remastered 2018 | Yosui Inoue | A Major | 4 | 11B | 84 BPM | ||
| MAJESTIC BABY - Remastered 2012 | COMPLEX | D♭ Minor | 10 | 12A | 192 BPM | ||
| ひとり咲き | CHAGE and ASKA | G Major | 5 | 9B | 137 BPM | ||
| Missing | Toshinobu Kubota | G Major | 2 | 9B | 136 BPM | ||
| 可愛いミーナ [2022 Remaster] | Keisuke Kuwata | C Major | 8 | 8B | 115 BPM | ||
| Eyes to me | DREAMS COME TRUE | D Major | 6 | 10B | 114 BPM | ||
| 少女A - 2012 Remaster | Akina Nakamori | C Major | 8 | 8B | 145 BPM | ||
| Kuchibiru Kara Biyaku | Shizuka Kudo | F♯ Minor | 9 | 11A | 153 BPM | ||
| チャンピオン | ALICE | B Minor | 8 | 10A | 159 BPM | ||
| 元気を出して | Mariya Takeuchi | C Major | 6 | 8B | 183 BPM |