Anuradha Paudwal's ' "Hum To The Anjaane" was released on its scheduled release date, January 10, 1992. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Anand-Milind's "Jungle Love (With Super Jhankar Beat)" album is number 3 out of 5. On top of that, India appears to be the country where this track was created. The popularity of Hum To The Anjaane is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hum To The Anjaane by Anuradha Paudwal to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mar jaenge | Umesh kumar Dwivedi | D Minor | 5 | 7A | 170 BPM | ||
| Halki Baarish | Altaf Raja | A Minor | 7 | 8A | 90 BPM | ||
| Mausam Ye Suhana Hai | Usha Mangeshkar, Jaishree Shivram | A Major | 6 | 11B | 95 BPM | ||
| Raqs Mein Hai Saara Jahan | Arun Ingle | D Major | 6 | 10B | 178 BPM | ||
| Jeevan Bana Jeevan | Kishore Kumar, Asha Bhosle | B Major | 5 | 1B | 86 BPM | ||
| Chando Menay Mittang | SANTHALI AKHARA, Sawan, Geeta | F♯ Major | 7 | 2B | 144 BPM | ||
| Badi Door Se Aaye Ho | Priya | A Minor | 7 | 8A | 80 BPM | ||
| Ab Ke Baras Dua Hai | Altaf Raja | C Major | 8 | 8B | 156 BPM | ||
| Ek Phool Sa Chehra Hai | Vijay Benedict | C Major | 6 | 8B | 75 BPM | ||
| Aaja Tujhko Pukare With Jhankar Beats Film - Neel Kamal | Mohammed Rafi, Ravi | G Major | 5 | 9B | 128 BPM | ||
| Aie Mere Mehboob Meri Zindagi | Salma Agha, Shabbir Kumar | E♭ Major | 5 | 5B | 150 BPM | ||
| O Meri Soni Meri Tamanna | Babul Supriyo, Poornima | B♭ Minor | 7 | 3A | 165 BPM | ||
| Sajni Dil Me Rahai Chhi | Amit Jha, Priya Jha | A Major | 6 | 11B | 83 BPM | ||
| Udki Yaadon Ke Jo Aakhri Thhe Nishan | Agam Kumar Nigam | F♯ Major | 6 | 2B | 80 BPM | ||
| Main Botal Nahin Sharab | Anuradha Paudwal | A Minor | 4 | 8A | 119 BPM | ||
| Apne Biwi Bachchon Ke | Mohammed Aziz, Anuradha Paudwal | G Minor | 7 | 6A | 83 BPM | ||
| Aate Aate Teri Yaad (Sad Version) | S. Janaki | E Minor | 3 | 9A | 131 BPM | ||
| Dil Dil Hai Dil Dil | Ranu Mukherjee | F♯ Minor | 8 | 11A | 105 BPM | ||
| Shingnapur Ki Dharti Par | Anup Jalota | D Major | 7 | 10B | 97 BPM | ||
| Kambal Na Hatao | Asha Bhosle, S. P. Balasubrahmanyam | A Minor | 7 | 8A | 137 BPM | ||
| Gudiya Chidiya Chand Chakori | Pamela Chopra, Jagjit Kaur, Asha Bhosle | A Major | 4 | 11B | 108 BPM | ||
| Kuch Hua Re Hua Re | Babul Supriyo, Poornima | B Major | 8 | 1B | 138 BPM | ||
| Raat Teen Baje | Bali Brahmbhatt, Sapna Mukherjee | B♭ Minor | 10 | 3A | 111 BPM | ||
| Rimjhim Rimjhim Tan Pe Mere Pani | Anuradha Paudwal | D Minor | 6 | 7A | 168 BPM | ||
| Mera Kehna Maan Sitamgar | Anuradha Paudwal | B♭ Minor | 8 | 3A | 95 BPM |