On December 31, 1957, the song "Naa Chitti Paapa" was released by M. S. Rama Rao, P. Susheela. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Suvarna Sundari". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Naa Chitti Paapa is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Naa Chitti Paapa by M. S. Rama Rao, P. Susheela having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh Daari Kaanani | M. S. Rama Rao | F Minor | 4 | 4A | 151 BPM | ||
| Kanakadharashtavam | M. S. Subbulakshmi, Radha Viswanathan | D Major | 3 | 10B | 126 BPM | ||
| Nithyanandakari | Mambalam Sisters Vijayalakshmi-Chitra & B. Ramana | C Major | 4 | 8B | 139 BPM | ||
| Sri Parvathi Vallabha | S.P. Balu | F♯ Major | 4 | 2B | 144 BPM | ||
| Krishna Krishna Mukunda Janardana | Sivasri Skandaprasad | E♭ Major | 8 | 5B | 125 BPM | ||
| Evaraki Evarayya | Karunya | A Minor | 7 | 8A | 156 BPM | ||
| Halahalamegayuno | M. S. Rama Rao | B Major | 5 | 1B | 80 BPM | ||
| Dharma Jyothi (Mangala Slokam) | Hemant Kumar | G Major | 3 | 9B | 119 BPM | ||
| Sriraamuni Charithamunu | P. Susheela, P. Leela | F♯ Minor | 5 | 11A | 144 BPM | ||
| Sive Siva Sankara | V. Ramakrishna | E Minor | 6 | 9A | 94 BPM | ||
| Thiruvenkatadeesa | Ghantasala | D Minor | 5 | 7A | 133 BPM | ||
| Sri Nrusimha | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | C Major | 5 | 8B | 172 BPM | ||
| Gum Gum Ganapathi | Anurag Kulkarni | D♭ Major | 5 | 3B | 90 BPM | ||
| Sri Venkatesam Manaswarami | Parupalli Sri Ranganath | C Major | 7 | 8B | 91 BPM | ||
| Muddugare Yashoda | Aishwarya Srinivas | G Major | 5 | 9B | 148 BPM | ||
| Sree Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | F♯ Minor | 3 | 11A | 88 BPM | ||
| Jeevithaminthele | M. S. Rama Rao | B Major | 3 | 1B | 134 BPM | ||
| Vachene Alivelmanga | G Balakrishna Prasad | F♯ Minor | 6 | 11A | 165 BPM | ||
| Ninnu Chudaka | Gangaputra Narsing Rao | B♭ Minor | 5 | 3A | 96 BPM | ||
| Thripura Sundara Sthothram | D.V. Ramani, Somayajula Murty, Mambalam Sisters | D Minor | 5 | 7A | 140 BPM | ||
| Dwadash Jyotirlingam | Sudha Biswas | A Major | 5 | 11B | 165 BPM | ||
| Purusha Suktam | Vighnesh Ghanapaathi, Gurumurthi Bhat, Shridhara Bhat Vedadhara | A Major | 3 | 11B | 125 BPM | ||
| Ashtalakshmi Kavacham | Ramana, Vijayalakshmi Sarma | D Major | 4 | 10B | 122 BPM | ||
| Medha Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | B♭ Minor | 6 | 3A | 93 BPM | ||
| Sri Saraswati | Maharajapuram Santhanam | D Minor | 3 | 7A | 167 BPM |