"Golden sight" by Hideki Taniuchi had its release date on July 20, 2011. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Golden sight's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hideki Taniuchi's "KAIJI -Against All Rules- Original Soundtrack" album is number 23 out of 51. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Golden sight is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Golden sight by Hideki Taniuchi to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lurking | Akira Senju | B♭ Major | 8 | 6B | 119 BPM | ||
| I've Been Losing You | Avith Ortega, Akira Yamaoka | D♭ Major | 2 | 3B | 172 BPM | ||
| BERSERK -Forces- - TV version | Susumu Hirasawa | D♭ Minor | 7 | 12A | 120 BPM | ||
| Null Moon | Akira Yamaoka | F♯ Minor | 2 | 11A | 158 BPM | ||
| Majula | Orvynx, Motoi Sakuraba | A♭ Major | 0 | 4B | 112 BPM | ||
| Dearly Beloved | Federico Dubbini | E♭ Major | 2 | 5B | 134 BPM | ||
| Omoi | VISUAL ARTS / Key | C Major | 3 | 8B | 120 BPM | ||
| Gosui ni Tarasu Tsuriito | Pearl Brothers | F Major | 0 | 7B | 61 BPM | ||
| The Fall of Marley | KOHTA YAMAMOTO | G Minor | 5 | 6A | 132 BPM | ||
| 2chijou | Sawano Hiroyuki | F Major | 5 | 7B | 120 BPM | ||
| Null Moon | Daniel Welch, Akira Yamaoka | A♭ Major | 0 | 4B | 112 BPM | ||
| Memory Museum | Hitomi Kuroishi | D Minor | 4 | 7A | 105 BPM | ||
| JUSTICE | Ken Arai | B♭ Major | 4 | 6B | 80 BPM | ||
| Melo no Theme | Hideki Taniuchi | A♭ Major | 7 | 4B | 110 BPM | ||
| On The Precipice of Defeat (Orchestra Remix) (From "Bleach: Thousand Year Blood War") | Dude's Cover | A Major | 6 | 11B | 112 BPM | ||
| 飛段 | Yasuharu Takanashi, YAIBA | G Major | 4 | 9B | 129 BPM | ||
| Youkoso! Hitori Bocchi (Welcome to Loneliness) | ACN Music. | F♯ Major | 5 | 2B | 121 BPM | ||
| Nothing Can Be Explained (Instrumental Version) (From "Bleach: Thousand Year Blood War") | Dude's Cover | E Minor | 3 | 9A | 85 BPM | ||
| 嗚呼、師弟愛 | Toshio Masuda | B Minor | 4 | 10A | 140 BPM | ||
| To the Abyss! | Kevin Penkin | F Major | 4 | 7B | 160 BPM | ||
| よふかしのうた | Yoshiaki Dewa | G Major | 6 | 9B | 170 BPM | ||
| TOTAL RESULT(トータルリザルト) | Capcom Sound Team | A Minor | 1 | 8A | 96 BPM | ||
| “Tomodachi Game” Main Theme | Michiru | F♯ Minor | 10 | 11A | 136 BPM | ||
| Kodoku | Orvynx | D Minor | 5 | 7A | 124 BPM | ||
| Lullaby of Resembool | Akira Senju | B♭ Major | 8 | 6B | 119 BPM |