The Montgomery Brothers's 'If I Should Lose You - Instrumental' had a release date set for January 1, 1994. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in The Montgomery Brothers's "Groove Yard" album is number 3 out of 8. On top of that, United States appears to be the country where this track was created. If I Should Lose You - Instrumental is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of If I Should Lose You - Instrumental by The Montgomery Brothers to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| June In January | Wes Montgomery | A♭ Major | 3 | 4B | 133 BPM | ||
| The Chocolate Horse - 2024 Remastered Version | O'Donel Levy | F Minor | 5 | 4A | 61 BPM | ||
| I Don't Care | Junior Mance | D♭ Major | 1 | 3B | 129 BPM | ||
| Dear Sir | Lee Morgan | A Minor | 2 | 8A | 175 BPM | ||
| Song to a Seagull | Don Sebesky | F Major | 0 | 7B | 78 BPM | ||
| 35th St. Blues | The John Wright Trio | F Minor | 1 | 4A | 147 BPM | ||
| There Will Never Be Another You | Jimmy Raney | D Major | 0 | 10B | 70 BPM | ||
| Many Miles Away | Kenny Drew | D♭ Major | 2 | 3B | 178 BPM | ||
| Between The Devil And The Deep Blue Sea | Howard Roberts | A♭ Major | 2 | 4B | 148 BPM | ||
| Serenity | Pepper Adams | F Minor | 2 | 4A | 104 BPM | ||
| Stablemates | Cedar Walton | D♭ Major | 4 | 3B | 108 BPM | ||
| Blues Back | McCoy Tyner Trio | B♭ Major | 3 | 6B | 132 BPM | ||
| I'll Never Be The Same | Lee Morgan | E♭ Major | 4 | 5B | 116 BPM | ||
| Velvet Moon | Tommy Flanagan Trio | A♭ Major | 1 | 4B | 76 BPM | ||
| Stranger In Paradise | Barry Harris Trio | G Major | 3 | 9B | 88 BPM | ||
| Cherry Blossom | Horace Silver | A♭ Major | 5 | 4B | 108 BPM | ||
| You'd Be So Nice to Come Home To - 1990 Remaster | Bud Powell Trio | D Minor | 1 | 7A | 102 BPM | ||
| Off Minor | Cedar Walton, David Williams, Billy Higgins | D Major | 4 | 10B | 100 BPM | ||
| Guilty | Kenny Burrell | G Major | 0 | 9B | 70 BPM | ||
| My Heart Stood Still | Nat Adderley | F Major | 1 | 7B | 135 BPM | ||
| Come Rain Or Come Shine | Stan Getz Quartet | C Major | 2 | 8B | 136 BPM | ||
| Splittin' | The Ray Bryant Trio | D♭ Major | 4 | 3B | 153 BPM | ||
| Stella By Starlight | Charlie Rouse | G Minor | 1 | 6A | 92 BPM | ||
| Drew's Blues | Kenny Drew Trio | F Minor | 5 | 4A | 156 BPM | ||
| Steve Allen Theme | Bud Shank, Bob Cooper | B♭ Minor | 2 | 3A | 90 BPM |