On May 1, 1983, the song "Harry May" was released by The Business. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Harry May's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Suburban Rebels". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Harry May is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Harry May by The Business having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cum On Feel The Noize | One Way System | D♭ Major | 9 | 3B | 178 BPM | ||
| Going Down The Bar | The Wretched Ones | A Minor | 8 | 8A | 157 BPM | ||
| Built to Last | Ultra Sect | F♯ Major | 9 | 2B | 161 BPM | ||
| Me and the Boys | Hard Skin | D Major | 10 | 10B | 180 BPM | ||
| Ultra Violence | The Oppressed | D Major | 9 | 10B | 82 BPM | ||
| In Britain | Red Alert | A♭ Major | 10 | 4B | 99 BPM | ||
| Spirit Of '76 | Cock Sparrer | B♭ Minor | 8 | 3A | 182 BPM | ||
| Last Rockers | Vice Squad | C Major | 6 | 8B | 130 BPM | ||
| Fatigue | Blitz | A Major | 10 | 11B | 186 BPM | ||
| Blind Ambition - Studio Version | The Partisans | D Major | 8 | 10B | 156 BPM | ||
| Excuses | MESS | G Major | 9 | 9B | 135 BPM | ||
| Amphetamine Blue | The Vibrators | A Major | 10 | 11B | 155 BPM | ||
| Skinhead Not Bonehead | Gimp Fist | B♭ Major | 10 | 6B | 101 BPM | ||
| Intensive Care | Peter and the Test Tube Babies | D Major | 7 | 10B | 92 BPM | ||
| Teenage Warning | Angelic Upstarts | G Major | 10 | 9B | 174 BPM | ||
| Defective Breakdown | The Defects | B Major | 7 | 1B | 106 BPM | ||
| The Boots Go Marching In | Condemned 84 | C Major | 10 | 8B | 124 BPM | ||
| Flares 'N' Slippers | Cockney Rejects | D Major | 9 | 10B | 122 BPM | ||
| Blown Out Again | Peter and the Test Tube Babies | A♭ Major | 10 | 4B | 108 BPM | ||
| Comrades | Vanilla Muffins | G Major | 9 | 9B | 204 BPM | ||
| Revolution Times | Red London | A Minor | 7 | 8A | 109 BPM | ||
| Festival of Hate | Close Shave | A Major | 10 | 11B | 100 BPM | ||
| Runnin' Riot | Cock Sparrer | E Major | 9 | 12B | 166 BPM | ||
| Tell Us the Truth | Sham 69 | B Minor | 9 | 10A | 153 BPM | ||
| Time Bomb | Blitz | E Minor | 10 | 9A | 185 BPM |