"Battery Acid" by Todd Haberman had its release date on January 26, 2005. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Battery Acid's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Sound Of Nascar". In this album, this song's track order is #11. Based on our statistics, Battery Acid's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Battery Acid by Todd Haberman having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take Me to Your Leader | Kári Sigurðsson | C Major | 7 | 8B | 120 BPM | ||
| Final Boss | FreshmanSound | D Minor | 8 | 7A | 150 BPM | ||
| Inner Cords | Dos Brains | D Minor | 8 | 7A | 150 BPM | ||
| Fight For Honor | Cris Velasco, Sascha Dikiciyan | E♭ Major | 4 | 5B | 100 BPM | ||
| Artemis | Mark Petrie | D Minor | 6 | 7A | 67 BPM | ||
| This Is Not the End | Tybercore | A♭ Major | 7 | 4B | 85 BPM | ||
| Army of Drums | WHITE WALL | A♭ Major | 9 | 4B | 110 BPM | ||
| Brutal Revolution | Music Junkies, Ars Arcana | D♭ Major | 8 | 3B | 160 BPM | ||
| Tears of Blood | Trailerhead | D Minor | 8 | 7A | 150 BPM | ||
| Return Of The King | Frameshift Music, Meletios | A♭ Major | 3 | 4B | 90 BPM | ||
| Guardian of Earth | Q-Factory by Robert Etoll, Dean Grinsfelder | A Major | 5 | 11B | 180 BPM | ||
| A Thousand May Fall | Alexander Wolfgang Pfeffer, Gothic Storm | C Major | 9 | 8B | 115 BPM | ||
| Death Waltz - Battle Version | Michal Cielecki | G Major | 9 | 9B | 138 BPM | ||
| Heavy Static | Future World Music | A Major | 8 | 11B | 120 BPM | ||
| Sergeant Pi / Obstacle Course | Todd Haberman | C Major | 2 | 8B | 60 BPM | ||
| Breeze | Phase Drift | B♭ Major | 6 | 6B | 82 BPM | ||
| Force of Time | Alex Richstein, Phoenix Music | D Minor | 6 | 7A | 100 BPM | ||
| Headshot | Rumble Head | D Major | 7 | 10B | 119 BPM | ||
| Origin of the Lost Queen | Gareth Coker | D Minor | 8 | 7A | 150 BPM | ||
| Ashes | City of the Fallen | F♯ Minor | 8 | 11A | 150 BPM | ||
| Battle Rage | Emad Yaghoubi, EpicMusicVn | F♯ Major | 8 | 2B | 125 BPM | ||
| Signs | Joel Sandro, Joel | G Minor | 3 | 6A | 95 BPM | ||
| The Unseen | Liquid Cinema | D Major | 6 | 10B | 90 BPM | ||
| End of an Era | Tom Player | C Minor | 8 | 5A | 140 BPM | ||
| Ghost Brigades (Instrumental) | Two Steps from Hell | C Major | 8 | 8B | 82 BPM |