Aníbal Troilo's ' "Siga el Corso" was released on its scheduled release date, April 10, 2012. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 70 in the song's album "The Roots of Tango - Príncipe". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Germany. Siga el Corso is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Siga el Corso by Aníbal Troilo having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pasional | Osvaldo Pugliese, Alberto Morán | F Minor | 4 | 4A | 87 BPM | ||
| Milongueando en el '40 | Aníbal Troilo | F Major | 2 | 7B | 123 BPM | ||
| Bailemos | Jose Basso, Floreal Ruiz | D Minor | 3 | 7A | 119 BPM | ||
| Milonga burrera | Jorge Vidal | B♭ Minor | 4 | 3A | 101 BPM | ||
| Moneda de Cobre | Argentino Ledesma, Héctor Varela | F Minor | 5 | 4A | 126 BPM | ||
| El Viejo Vals | Francisco Rotundo | F Major | 2 | 7B | 123 BPM | ||
| Que Solo Estoy | Carlos Di Sarli, Alberto Podestá | D Minor | 3 | 7A | 117 BPM | ||
| Mi dolor | Hyperion Ensemble, Ruben Peloni | D Minor | 4 | 7A | 138 BPM | ||
| Melodía de Arrabal | Tangos de Oro | A Major | 3 | 11B | 124 BPM | ||
| Las Cuarenta | Juan D'Arienzo, Alberto Echagüe | A♭ Major | 4 | 4B | 126 BPM | ||
| Jamas Ni Nunca | La Juan D'Arienzo | G Minor | 5 | 6A | 137 BPM | ||
| Mi Dolor | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| Todo | Pedro Laurenz, Alberto Podestá | F Major | 2 | 7B | 123 BPM | ||
| Por la Vuelta | Francisco Lomuto | F Major | 2 | 7B | 123 BPM | ||
| La Capilla Blanca | Carlos Di Sarli, Alberto Podestá | F♯ Minor | 3 | 11A | 118 BPM | ||
| Esta Noche Me Emborracho | La Juan D'Arienzo | E Major | 5 | 12B | 132 BPM | ||
| Nada Más | La Auténtica Milonguera | C Minor | 6 | 5A | 147 BPM | ||
| Historia de un Amor (with Rodolfo Lesica) | Héctor Varela y su Orquesta Típica, Rodolfo Lesica | F Minor | 4 | 4A | 126 BPM | ||
| Negra Maria | Mercedes Simone | F Major | 2 | 7B | 123 BPM | ||
| Serenata | Francisco Lomuto y su Orquesta Típica | G Minor | 3 | 6A | 109 BPM | ||
| A Fuego Lento | Horacio Salgán | C Minor | 5 | 5A | 127 BPM | ||
| Cuartito Azul | Mariano Mores, Mario Ponce De Leon | C Minor | 3 | 5A | 122 BPM | ||
| Sin Estrellas | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Minor | 5 | 8A | 126 BPM | ||
| Te Aconsejo Que Me Olvides | Pablo Valle Sexteto | F Minor | 3 | 4A | 138 BPM | ||
| No hay tierra como la mia | Julio De Caro, Héctor Farrel | A Major | 3 | 11B | 102 BPM |