Ricardo Malerba's ' "Embrujamiento" was released on its scheduled release date, January 9, 1935. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Embrujamiento's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 30 in El Embrujo by Ricardo Malerba. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Embrujamiento's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Embrujamiento by Ricardo Malerba is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saludos | Domingo Federico | A Minor | 3 | 8A | 117 BPM | ||
| No Me Supiste Amar | Orquesta Carlos di Sarli, Horacio Casares | A Minor | 3 | 8A | 121 BPM | ||
| Nieblas del Riachuelo | Osvaldo Fresedo | A Minor | 3 | 8A | 117 BPM | ||
| Felicia | La Juan D'Arienzo | D Minor | 4 | 7A | 140 BPM | ||
| Ahora No Me Conoces | Angel D'Agostino Y Su Orquesta Típica | A Minor | 1 | 8A | 125 BPM | ||
| La Vi Llegar | Rodolfo Biagi, Miguel Caló | D Major | 3 | 10B | 128 BPM | ||
| Bajo El Cono Azul | Orquesta Tipica Victor | D♭ Minor | 4 | 12A | 118 BPM | ||
| Trenzas | Orquesta Típica Sans Souci, Emiliano Castignola | G Minor | 3 | 6A | 127 BPM | ||
| Orlando Goñi | Alfredo Gobbi | A Minor | 3 | 8A | 117 BPM | ||
| Por la Vuelta | La Auténtica Milonguera | G Major | 3 | 9B | 142 BPM | ||
| Cacareando | Orquesta Tipica Victor, Carlos de la Fuente | E Major | 4 | 12B | 95 BPM | ||
| Mas Alla | Osvaldo Fresedo y su Orquesta Típica | D♭ Major | 3 | 3B | 133 BPM | ||
| Incomprensión | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| Tabernero | Francisco Fiorentino | D Major | 2 | 10B | 129 BPM | ||
| Loca de amor | Rodolfo Biagi | D Minor | 2 | 7A | 112 BPM | ||
| Dandy | Osvaldo Pugliese y su Orquesta | G Major | 3 | 9B | 122 BPM | ||
| Suerte Loca | Enrique Rodríguez, Armando Moreno | C Major | 2 | 8B | 134 BPM | ||
| Organito de la tarde | Orquesta Rodolfo Biagi, Cátulo Castillo, José Gonzalez Castillo | D Major | 3 | 10B | 142 BPM | ||
| Oigo Tu Voz - Versión Alternativa | Ricardo Tanturi | A Minor | 3 | 8A | 117 BPM | ||
| Milonga vieja milonga | Orquesta tipica de Juan D`Arienzo | F Minor | 4 | 4A | 101 BPM | ||
| Torrente | Lucio Demare, Horacio Quintana | F♯ Minor | 2 | 11A | 121 BPM | ||
| Malena | Anibal Troilo y su orquesta, Francisco Fiorentino | B Minor | 3 | 10A | 124 BPM | ||
| Una fija (Glorias de ayer) | Orquesta Carlos di Sarli | D Major | 4 | 10B | 116 BPM | ||
| Bahía Blanca | Orquesta Carlos di Sarli | F♯ Minor | 4 | 11A | 117 BPM | ||
| Serenata | Francisco Lomuto y su Orquesta Típica | G Minor | 3 | 6A | 109 BPM |