Blake Neely's ' "Main Title (The Flight Attendant)" was released on its scheduled release date, December 18, 2020. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Flight Attendant: Season 1 (Original Television Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Main Title (The Flight Attendant)'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Main Title (The Flight Attendant) by Blake Neely having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Discovery of the Camp (From the HBO Miniseries "Band of Brothers" Soundtrack) | Michael Kamen, London Metropolitan Orchestra, John Anderson, Dave Lee, Maire Brennan, Julie Andrews, Zoe Kamen | C Minor | 1 | 5A | 59 BPM | ||
| Strength And Honor | Harry Gregson-Williams | B♭ Minor | 2 | 3A | 112 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| A Foggy Night in London | Joe Kraemer | C Major | 4 | 8B | 138 BPM | ||
| Charlie Dives In | Dario Marianelli | F Major | 3 | 7B | 72 BPM | ||
| Sledge's Humanity | Hans Zimmer, Geoff Zanelli, Blake Neely | D Minor | 1 | 7A | 81 BPM | ||
| Homecoming | Hans Zimmer, Geoff Zanelli, Blake Neely | F Minor | 1 | 4A | 62 BPM | ||
| Oxfords, Not Rogues | Matthew Margeson, Dominic Lewis | F Major | 2 | 7B | 79 BPM | ||
| 21 Days | Alexandre Desplat | F Minor | 0 | 4A | 84 BPM | ||
| The Future | Richard Blair-Oliphant | G Major | 6 | 9B | 168 BPM | ||
| I Can Fix It | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Robin Speaks | Marc Streitenfeld | D Major | 1 | 10B | 79 BPM | ||
| Between Two Fires | Sam Cushion | A Major | 1 | 11B | 80 BPM | ||
| The Last Battle - From "Saving Private Ryan" Soundtrack | John Williams | A Major | 0 | 11B | 67 BPM | ||
| Men At War | Hans Zimmer, Geoff Zanelli, Blake Neely | B Minor | 1 | 10A | 149 BPM | ||
| Light | Ray D Kim | G Major | 3 | 9B | 96 BPM | ||
| The All Spark | Steve Jablonsky | D Minor | 3 | 7A | 150 BPM | ||
| Private First Class Robert Leckie | Hans Zimmer, Geoff Zanelli, Blake Neely | D Minor | 1 | 7A | 93 BPM | ||
| A True God After All | Christophe Beck | A♭ Minor | 4 | 1A | 126 BPM | ||
| Main Title | Joe Kraemer | D♭ Major | 1 | 3B | 83 BPM | ||
| Fukushima | Farid Ibazade, Pharoah | F♯ Major | 2 | 2B | 100 BPM | ||
| Paciencia Necesaria | Casualidades Del Destino | A Minor | 0 | 8A | 102 BPM | ||
| Ahsoka Theme - Epic Emotional Version | Krutikov Music | G Minor | 3 | 6A | 139 BPM | ||
| Andor Season 2 End Credits Music | Jamie Evans Music | A Minor | 4 | 8A | 60 BPM | ||
| It's Over Now | Kevin Kiner | G Major | 4 | 9B | 76 BPM |