George Jones's 'I've Still Got Some Hurtin' Left To Do' had a release date set for November 23, 1993. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. I've Still Got Some Hurtin' Left To Do's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Jones's "High-Tech Redneck" album is number 2 out of 10. On top of that, United States appears to be the country where this track was created. I've Still Got Some Hurtin' Left To Do is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I've Still Got Some Hurtin' Left To Do by George Jones to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Do You Believe Me Now | Vern Gosdin | A♭ Major | 2 | 4B | 72 BPM | ||
| When You Leave That Way You Can Never Go Back - Remastered Version | Confederate Railroad | D Major | 4 | 10B | 81 BPM | ||
| Do You Ever Fool Around | Joe Stampley | D♭ Major | 3 | 3B | 81 BPM | ||
| Flow bear | James Whitex | A Major | 6 | 11B | 120 BPM | ||
| Do You Want To Say Goodbye | Mel McDaniel | C Major | 3 | 8B | 140 BPM | ||
| Too Late for Sorry | Sergio Vitles | F Major | 2 | 7B | 144 BPM | ||
| You Can't Cut Me Any Deeper | Steve Wariner | E♭ Major | 3 | 5B | 92 BPM | ||
| I'd Be Better Off (In a Pine Box) | Kevin Moon, Doug Stone | A Major | 4 | 11B | 134 BPM | ||
| There's Still a Lot of Love in San Antone | Darrell McCall | D Major | 4 | 10B | 125 BPM | ||
| Leave Him Out Of This | Steve Wariner | D Major | 3 | 10B | 78 BPM | ||
| You're Everything | Tammy Wynette, George Jones | A♭ Major | 2 | 4B | 84 BPM | ||
| Loving Blind | Clint Black | A Major | 4 | 11B | 81 BPM | ||
| Don't Go To Strangers | T. Graham Brown | C Major | 4 | 8B | 97 BPM | ||
| I Don't Wanna Play House | Tammy Wynette | G Major | 3 | 9B | 103 BPM | ||
| You Saved Me | Patty Loveless | A Major | 4 | 11B | 136 BPM | ||
| She's A Natural | Shenandoah | E Major | 3 | 12B | 134 BPM | ||
| If It Was Up to Me | Doug Stone | B♭ Major | 4 | 6B | 140 BPM | ||
| Jesus and Mama - Remastered Version | Confederate Railroad | B Major | 6 | 1B | 137 BPM | ||
| One Night Fever | Mel Tillis | F♯ Major | 3 | 2B | 114 BPM | ||
| You're the One | Dwight Yoakam | G Major | 4 | 9B | 96 BPM | ||
| Memphis Might As Well Be On The Moon | Mel McDaniel | C Major | 4 | 8B | 103 BPM | ||
| This Time I Hurt Her More (Than She Loves Me) | Neal McCoy | G Major | 4 | 9B | 116 BPM | ||
| I Must Have Done Something Bad | George Jones | E♭ Major | 3 | 5B | 79 BPM | ||
| I Miss You a Little | John Michael Montgomery | B Major | 3 | 1B | 76 BPM | ||
| Chiseled In Stone | Vern Gosdin | E♭ Major | 2 | 5B | 70 BPM |