In Bristol Town, BFMS Unnum (Version for Three Pianos) by Percy Grainger, Penelope Thwaites, Wayne Marshall, John Lavender Song Details

On January 1, 1999, the song "In Bristol Town, BFMS Unnum (Version for Three Pianos)" was released by Percy Grainger, Penelope Thwaites, Wayne Marshall, John Lavender. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 13 in the song's album "The Grainger Edition, Vol. 10 - Works for Pianos". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, In Bristol Town, BFMS Unnum (Version for Three Pianos) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With In Bristol Town, BFMS Unnum (Version for Three Pianos) by Percy Grainger, Penelope Thwaites, Wayne Marshall, John Lavender having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -31.448 dB
Acousticness: 99%
Danceability: 66%
Energy: 3%
Instrumentalness: 92%
Liveness: 9%
Loudness: 48%
Speechiness: 4%
Valence: 98%

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Pantomime: Vivace	Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones	G Minor	2	6A	113 BPM
A Fugal Concerto, Op. 40, No. 2: I. Moderato	Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths	D Major	2	10B	105 BPM
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Puszta: Four Gipsy Dances: I. -	Jan van der Roost, Coastal Communities Concert Band, Tom Cole	C Minor	1	5A	113 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
O Magnum Mysterium	Northwestern University Symphonic Wind Ensemble	E♭ Major	0	5B	64 BPM
Africa: Ceremony, Song and Ritual - Robert W. Smith	Harmonie De Charlesbourg, François Dorion	C Major	2	8B	127 BPM
Ride	Samuel R. Hazo, Indiana University of Pennsylvania Wind Ensemble, Jack Stamp	E Minor	7	9A	150 BPM
Prelude, Siciliano & Rondo: Prelude	Malcolm Arnold, The Trade Winds, Daniel Schmidt	B♭ Major	1	6B	124 BPM
The Hounds of Spring	Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra	F Major	1	7B	90 BPM
Songs of Old Kentucky	Alfred Concert Band	G Minor	2	6A	107 BPM