"Letters to the World: Yesterday Is History" by George Nicholson, Alison Wells, John Turner, Keith Elcombe, Jonathan Price had its release date on April 1, 2013. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Nicholson, G.: Letters to the World". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Letters to the World: Yesterday Is History is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Letters to the World: Yesterday Is History by George Nicholson, Alison Wells, John Turner, Keith Elcombe, Jonathan Price having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction 2. Largo e cantabile | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | ||
| Black Angels, Thirteen Images from the Dark Land, Departure: I. Threnody I "Night of the Electric Insects" | George Crumb, Quatuor Hanson | F Minor | 1 | 4A | 113 BPM | ||
| Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | D♭ Major | 0 | 3B | 83 BPM | ||
| Musica ricercata: No. 2, Mesto, rigido e cerimoniale | György Ligeti, Pierre-Laurent Aimard | F Major | 0 | 7B | 67 BPM | ||
| Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | D♭ Major | 0 | 3B | 83 BPM | ||
| Klokkeklang, Op. 54, No. 6 | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | C Major | 0 | 8B | 131 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| String Quartet No.8 In C Minor, Op.110: 1. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | C Major | 0 | 8B | 60 BPM | ||
| Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice | Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio | D Minor | 0 | 7A | 84 BPM | ||
| Rhythm Studies: II. A Bit Drunk | Brecht Valckenaers | D♭ Major | 0 | 3B | 83 BPM | ||
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Minor | 0 | 7A | 60 BPM | ||
| Halloween Ghost Story | Dark Academia Quintet | B♭ Minor | 1 | 3A | 83 BPM | ||
| 7 Haikus: III. Poco andante | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | A♭ Major | 0 | 4B | 86 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: I. Allegro | Béla Bartók, Belcea Quartet | B Minor | 0 | 10A | 78 BPM | ||
| 弦楽器によるアンビエント音楽「恐怖」 - パートII | Yutaka Minobe | G Minor | 2 | 6A | 160 BPM | ||
| Melandru's Calm | Jeremy Soule | D♭ Major | 0 | 3B | 83 BPM | ||
| Totem Ancestor | John Cage, Kronos Quartet | B♭ Major | 1 | 6B | 155 BPM | ||
| L'enfant et les sortilèges, M. 71, Pt. 1: J'ai pas envie de faire ma page! | Maurice Ravel, Helene Hebrard, Orchestre National De Lyon, Leonard Slatkin | D Major | 0 | 10B | 138 BPM | ||
| String Quartet No. 3: V. — | George Nicholson, Bochmann String Quartet | D Major | 0 | 10B | 119 BPM | ||
| Chorale | Igor Stravinsky, Dirk Luijmes, Martin Logar | D♭ Major | 0 | 3B | 83 BPM | ||
| Letters to the World: Heart! We will forget him! | George Nicholson, Alison Wells, John Turner, Keith Elcombe, Jonathan Price | E♭ Major | 0 | 5B | 81 BPM | ||
| String Quartet No. 3: II. — | George Nicholson, Bochmann String Quartet | G Major | 1 | 9B | 75 BPM | ||
| The Rite of Spring, Part 2: II. Mystic Circles of the Young Girls | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 0 | 11A | 129 BPM |