Akira Kosemura's ' "Letter From A Distance" was released on its scheduled release date, September 15, 2017. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Akira Kosemura's "In The Dark Woods" album is number 17 out of 17. Letter From A Distance is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Letter From A Distance by Akira Kosemura to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunday | Mike Lazarev | C Major | 0 | 8B | 78 BPM | ||
| Sehnsucht | Greg Haines | C Major | 0 | 8B | 81 BPM | ||
| Light | Endless Melancholy | B♭ Major | 0 | 6B | 60 BPM | ||
| Peeling and Shaving the Balls | ibi | A♭ Major | 0 | 4B | 73 BPM | ||
| Portrait with Shadow | Robert Haigh | A Minor | 0 | 8A | 98 BPM | ||
| Croft | Poppy Ackroyd | E♭ Major | 1 | 5B | 108 BPM | ||
| Waltz Sketch | Paddy Mulcahy | C Minor | 2 | 5A | 147 BPM | ||
| Innocence | Wataru Sato | B♭ Minor | 0 | 3A | 72 BPM | ||
| …till the Day We Meet | Cicada | D Minor | 1 | 7A | 114 BPM | ||
| Innocence | Akira Kosemura | F Major | 0 | 7B | 119 BPM | ||
| another | Akisai | B♭ Minor | 0 | 3A | 67 BPM | ||
| Sanson Yojo | Marihiko Hara | B♭ Major | 0 | 6B | 81 BPM | ||
| Spaces | Sigríður | F Minor | 0 | 4A | 61 BPM | ||
| チクタク | 土持悠孝 | F Major | 2 | 7B | 140 BPM | ||
| Fragile | Mike Lazarev | A Minor | 0 | 8A | 126 BPM | ||
| A Drift in Time | Piotr Miteska | G Major | 1 | 9B | 125 BPM | ||
| October 21 / f-moll(ヘ短調) | Iwamura Ryuta | A♭ Major | 0 | 4B | 67 BPM | ||
| Au gré du vent | Jordane Tumarinson | B Minor | 0 | 10A | 78 BPM | ||
| Take These Broken Wings | Joachim Heinrich | F Minor | 0 | 4A | 71 BPM | ||
| The Morning Star | Danny Norbury | F♯ Major | 0 | 2B | 71 BPM | ||
| Holding on to a Glittering Dream | Otto Nakamura | E Minor | 0 | 9A | 73 BPM | ||
| mizet | Akira Kosemura | A Minor | 1 | 8A | 84 BPM | ||
| Porcelain Sea | Jacob David | D♭ Major | 1 | 3B | 84 BPM | ||
| In One Piece | Tennyson | F♯ Major | 1 | 2B | 58 BPM | ||
| Rain | Poppy Ackroyd | B♭ Minor | 0 | 3A | 65 BPM |