"END THEME - Live Version (Bonus Track for Japan)" by Ryuichi Sakamoto had its release date on April 6, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 「リトル・ブッダ」オリジナル・サウンドトラック, so we believe that "END THEME - Live Version (Bonus Track for Japan)" is a single. END THEME - Live Version (Bonus Track for Japan) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of END THEME - Live Version (Bonus Track for Japan) by Ryuichi Sakamoto is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ravel: Pavane pour une infante défunte | Maurice Ravel, Hayato Sumino | A Minor | 0 | 8A | 98 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| bagatelle no.2 | Teruyuki Nobuchika | D Major | 0 | 10B | 68 BPM | ||
| Aubade 2020 | Ryuichi Sakamoto | C Major | 2 | 8B | 71 BPM | ||
| Music for 18 Musicians: Section I | Steve Reich | D Major | 3 | 10B | 102 BPM | ||
| Adams: Hallelujah Junction: 1st Movement | John Adams, Nicolas Hodges, Rolf Hind | A♭ Major | 1 | 4B | 116 BPM | ||
| Blue Sky And Yellow Sunflower | Susumu Yokota | F♯ Major | 5 | 2B | 91 BPM | ||
| Before Long | Ryuichi Sakamoto | C Major | 0 | 8B | 76 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 135 BPM | ||
| Aout -Parure de robes | Umitaro Abe | F Major | 2 | 7B | 135 BPM | ||
| koko | Ryuichi Sakamoto | G Major | 0 | 9B | 109 BPM | ||
| 3 Gymnopédies: No. 1 | Erik Satie, Klara Kormendi | G Major | 0 | 9B | 101 BPM | ||
| Sight | Takeshi Kobayashi | B Minor | 1 | 10A | 135 BPM | ||
| By This River | alva noto, Ryuichi Sakamoto | G Minor | 1 | 6A | 135 BPM | ||
| Don't Ever Leave Me | Keith Jarrett | F Major | 0 | 7B | 59 BPM | ||
| The Ocean Sings | Taisei Iwasaki | C Major | 1 | 8B | 112 BPM | ||
| haru | Fennesz, Ryuichi Sakamoto | B♭ Minor | 1 | 3A | 72 BPM | ||
| energy flow - rework | U-zhaan, Ryuichi Sakamoto | C Major | 4 | 8B | 168 BPM | ||
| Time after time | Hiroshi Yoshimura | E Minor | 0 | 9A | 82 BPM | ||
| One Without | Oliver Coates | E♭ Minor | 1 | 2A | 97 BPM | ||
| Main Theme Quartet | Takuma Watanabe | B♭ Major | 2 | 6B | 84 BPM | ||
| Drive My Car (the important thing is to work) | Eiko Ishibashi | B Major | 4 | 1B | 132 BPM | ||
| kokoro | Fennesz, Ryuichi Sakamoto | B♭ Minor | 2 | 3A | 81 BPM | ||
| long time | Rei Harakami | F♯ Minor | 0 | 11A | 74 BPM | ||
| The Blanket Fell First | Sairen Holt | D Minor | 2 | 7A | 104 BPM |