Johann Ritter von Herbeck, Daniel Behle, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Helmuth Froschauer's 'Pueri, concinite' had a release date set for July 24, 2008. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 13 in Choral Music - Eybler, J. / Herbeck, J.R. / Salieri, A. / Mozart, W.A. / Haydn, M. (Musik Der Wiener Hofkapelle) by Helmuth Froschauer, WDR Sinfonieorchester Köln. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Based on our statistics, Pueri, concinite's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pueri, concinite by Johann Ritter von Herbeck, Daniel Behle, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Helmuth Froschauer is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jubelt Dem Herrn Zu! (Psalm 98) | Animato Choir&Symphony, Markus Geissbühler | B♭ Major | 3 | 6B | 69 BPM | ||
| Quando corpus morietur | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | B Minor | 0 | 10A | 173 BPM | ||
| Hiljainen tienoo | Juha Nääppä, Paulus Hartikainen, Titta Karanta, Kaisa Huusko | C Minor | 1 | 5A | 52 BPM | ||
| Grosse Messe in E Minor: Kyrie | Johann Ritter von Herbeck, Philharmonischer Chor München, Philharmonie Festiva, Wieland Hofmann, Gerd Schaller | E Minor | 1 | 9A | 87 BPM | ||
| The Mass: Qui Tollis | Patrick Cassidy | A Major | 2 | 11B | 85 BPM | ||
| Arrolo de Domaio | Gemma Román | G Major | 2 | 9B | 170 BPM | ||
| Historia di Jephte: VIII. Plorate colles | Giacomo Carissimi, Voces Suaves, Michele Vannelli, Mirjam Wernli | G Major | 2 | 9B | 170 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Da liegt nun der gute Topf in Scherben" [Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 172 BPM | ||
| Gloria in Excelsis | Monks Of The Abbey Of Notre Dame, Wonderworker | C Minor | 1 | 5A | 171 BPM | ||
| Mater, Maria gratiae, Op. 47 No. 2 | Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Lehár: Der Zarewitsch, Act 1: No. 5, Wolgalied, "Allein, wieder … Es steht ein Soldat am Wolgastrand" (Zarewitsch) | Franz Lehár, Thomas Hampson, Franz Welser-Moest, Franz Welser-Möst, London Philharmonic Orchestra | G Major | 1 | 9B | 165 BPM | ||
| Rossini: Stabat Mater: IX. Quando corpus morietur | Gioachino Rossini, Riccardo Muti, Agnes Baltsa, Catherine Malfitano, Gwynne Howell, Robert Gambill, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 1 | 5B | 74 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM | ||
| Petite messe solennelle: Crucifixus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | A♭ Major | 1 | 4B | 138 BPM | ||
| O Isis und Osiris (Die Zauberflöte) | Gottlob Frick, Berliner Symphoniker | F Major | 2 | 7B | 86 BPM | ||
| Einzug des Chores: Laudate omnes gentes | Jacques Berthier, Bach-Chor Siegen, Ulrich Stötzel | A Minor | 2 | 8A | 86 BPM | ||
| Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM | ||
| Messa di Gloria: Qui tollis peccata mundi | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Down to the Sacred Wave | Benny Andersson, Gustaf Sjökvists Kammarkör | G Minor | 2 | 6A | 122 BPM | ||
| Pheasants' Chorus (I Pagliacci) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | C Major | 1 | 8B | 117 BPM | ||
| Orff: Carmina Burana, Pt. 1, Uf dem Anger: Chramer, gip die varwe mir | Carl Orff, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Hino 377 - No Céu, Senhor, no Céu | Orquestra Sacra Paulista | A♭ Major | 1 | 4B | 99 BPM | ||
| Magnificat: IV. Quia fecit mihi magna | MartÍn Palmeri, Aleksandra Turalska, Agata Schmidt, Chór Astrolabium, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | C Minor | 1 | 5A | 120 BPM |