Ryan Adams's ' "Manchester" was released on its scheduled release date, June 11, 2021. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Manchester's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 12 in Big Colors by Ryan Adams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Manchester is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Manchester by Ryan Adams is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Knew You | Future Islands | B♭ Major | 7 | 6B | 152 BPM | ||
| Perennial Bloom (Back To You) | Lukas Nelson and Promise of the Real | A Major | 8 | 11B | 126 BPM | ||
| Stay Away | Pete Yorn | E Minor | 5 | 9A | 100 BPM | ||
| Hornets | The National | G Minor | 6 | 6A | 98 BPM | ||
| Somewhere in Chicago - Acoustic | Strand of Oaks | B Minor | 4 | 10A | 124 BPM | ||
| People Call Who They Wanna Talk To | David Ramirez | A♭ Major | 2 | 4B | 175 BPM | ||
| Plastic Beach | Future Islands | D♭ Minor | 8 | 12A | 150 BPM | ||
| Transient Whales | Toad The Wet Sprocket | D Major | 4 | 10B | 94 BPM | ||
| Bethany | Craig Finn | C Major | 8 | 8B | 114 BPM | ||
| Fly on the Wall | Badly Drawn Boy | A Major | 4 | 11B | 100 BPM | ||
| Buccaneer Rum Jum | Smith & Burrows | G Major | 6 | 9B | 170 BPM | ||
| Guess Again | Jeff Tweedy | C Major | 7 | 8B | 123 BPM | ||
| Half Light of Morning | Ten Fé | G Minor | 2 | 6A | 100 BPM | ||
| I Will Be Your Shield | Billy Bragg | G Major | 2 | 9B | 85 BPM | ||
| Stuck On You (Purpose of Love, Pt.II) | Ludwig Hart | D Major | 9 | 10B | 122 BPM | ||
| Watching the Wires | Hiss Golden Messenger | B Major | 8 | 1B | 137 BPM | ||
| Horses at Night | Strand of Oaks | G Major | 4 | 9B | 98 BPM | ||
| Subdivisions | The Weather Station | B♭ Major | 4 | 6B | 62 BPM | ||
| Gentle On My Mind | Dylan LeBlanc | E Major | 6 | 12B | 100 BPM | ||
| Powdered Sugar | The Boxer Rebellion | A♭ Major | 7 | 4B | 130 BPM | ||
| A Walk in the Woods | Deacon Blue | A Major | 7 | 11B | 112 BPM | ||
| Way Back in the Way Back | Hiss Golden Messenger | C Major | 2 | 8B | 139 BPM | ||
| Feelings I'm Supposed To Feel | Maximo Park | G Major | 8 | 9B | 128 BPM | ||
| Outbound Train | Ryan Adams | B♭ Major | 7 | 6B | 129 BPM | ||
| Pretending | Matthew Holtby | E♭ Major | 6 | 5B | 113 BPM |