"Swara-Kakali (based on Raga Tilang) - 1998 Remastered Version" by Ravi Shankar, Ravi Shankar/Yehudi Menuhin had its release date on May 7, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 53 in the song's album "The Ravi Shankar Collection". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Swara-Kakali (based on Raga Tilang) - 1998 Remastered Version's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swara-Kakali (based on Raga Tilang) - 1998 Remastered Version by Ravi Shankar, Ravi Shankar/Yehudi Menuhin having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nayan Ki Mat Maro Talwariya - Raga Bhairavi - Dadra Tala | Girija Devi | B♭ Major | 4 | 6B | 79 BPM | ||
| Rendezvous with Rama | Baluji Shrivastav, Re-Orient | D♭ Major | 5 | 3B | 158 BPM | ||
| Raag - Brindabani Sarang Ek Taal | Bismillah Khan | A Major | 6 | 11B | 112 BPM | ||
| Kaliyugavaradana | U. Srinivas | C Minor | 5 | 5A | 84 BPM | ||
| Shankar Panchbadan | Veena Sahasrabuddhe, Umakant Gundecha, Ramakant Gundecha | A♭ Major | 2 | 4B | 82 BPM | ||
| Vilaiyada Idhu Neerama | U. Srinivas | G Major | 4 | 9B | 100 BPM | ||
| Jhulat Radha Sang Giridhari - Meera Bhajan | Veena Sahastrabuddhe | B♭ Major | 5 | 6B | 105 BPM | ||
| Kalandar | Shye Ben Tzur, Jonny Greenwood, The Rajasthan Express | B Major | 9 | 1B | 87 BPM | ||
| Elephant Race | Downing And Mayer | F♯ Major | 5 | 2B | 82 BPM | ||
| Mishra Piloo (In Thumbri Style) | Ravi Shankar | A♭ Minor | 7 | 1A | 146 BPM | ||
| Pakistani | Pejman Tadayon | D Major | 8 | 10B | 100 BPM | ||
| Pilu Ragmala in Rupak | Alam Khan, Indranil Mallick | G Minor | 3 | 6A | 92 BPM | ||
| 8.5 Beats | Anindo Chatterjee | B Minor | 6 | 10A | 124 BPM | ||
| Tawhid | Shye Ben Tzur | D Major | 3 | 10B | 119 BPM | ||
| Raga Adana - Dhrupad | Wasifuddin Dagar, Sarberi Mukherjee, Tanya Mohan, Praveen Arya | D♭ Major | 3 | 3B | 94 BPM | ||
| Lajo Lajo | Shujaat Khan | F♯ Major | 5 | 2B | 169 BPM | ||
| Bhajan | Sheila Chandra | D Major | 1 | 10B | 94 BPM | ||
| Raga Mishra Kafi - Vilambit | Bidyut Khan Band, Lucyan | A Major | 7 | 11B | 114 BPM | ||
| Raghupathi Raghava Rajaram | U. Srinivas | A Minor | 3 | 8A | 159 BPM | ||
| Bihag | Buddhadev DasGupta | C Major | 4 | 8B | 121 BPM | ||
| Bhajan de Mira : Raga bhairavi | Lakshmi Shankar | E Major | 0 | 12B | 140 BPM | ||
| Violin Solo | Cheb i Sabbah | E♭ Major | 7 | 5B | 149 BPM | ||
| Raga Madhmad Sarang - Alap | Traditional, Veena Sahasrabuddhe | C Minor | 0 | 5A | 75 BPM | ||
| Raga Kirwani Gat | Shahid Parvez | B Major | 6 | 1B | 158 BPM | ||
| Water Girl | Zakir Hussain | A Major | 1 | 11B | 115 BPM |