On May 18, 2004, the song "Sarangpur Na Kashtbhanjan Hanumanji" was released by Rekha Rathod, Mathur Kanjariya. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Sarangpur Ni Manta". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Sarangpur Na Kashtbhanjan Hanumanji is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sarangpur Na Kashtbhanjan Hanumanji by Rekha Rathod, Mathur Kanjariya having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jija Sakra Mai Samhar Ke | Deshraj Pateriya, Munna Saini, Muneem Khan, Parvati Rajput | A♭ Major | 6 | 4B | 148 BPM | ||
| Pat Khulte Hi Maai Musukai Lee | Bharat Sharma Vyas | G Minor | 5 | 6A | 123 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Ma Taro Garbo | Master Rana | C Minor | 5 | 5A | 102 BPM | ||
| Rajparama Shobhtu Dhara Tatniya Dham | Gagan Jethva, Rekha Rathod | B♭ Major | 4 | 6B | 103 BPM | ||
| Jug Ma Jivan Kahe Veri Mari | Rekha Rathod, Raghuram Dudhrejiya | F♯ Major | 5 | 2B | 82 BPM | ||
| Roje - Roje Aayi Ae Maiya | Bharat Sharma Vyas | A♭ Major | 4 | 4B | 99 BPM | ||
| Zanda Uncha Rahe Hamara | Satish Dehra, Foram Maheta | D Major | 9 | 10B | 120 BPM | ||
| Inse Bachke Rahiyo Re Superhits Bundeli Rai | Raju Patel, Dhaniram Sen | C Major | 10 | 8B | 126 BPM | ||
| Swaminarayan Bhajre | Shree Swaminarayan Mandir Kalupur, Zalak Pandya, Salim Merchant | D♭ Minor | 7 | 12A | 92 BPM | ||
| Rang Do Keshar Ghodi Ri Jhul | Anita Jangid, Mahaveer Sankhala | G Minor | 9 | 6A | 76 BPM | ||
| Dhola Dhol Manjeera | Vandana Bhardwaj | A♭ Major | 5 | 4B | 89 BPM | ||
| Kakario To Gadh | Rekha Rathod, Daksha Prajapati | D♭ Minor | 7 | 12A | 92 BPM | ||
| Sharhad Tujhe Pranam | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Kanifnathacha Kaval Bhakticha | Shivaji Tupvihare | A Major | 4 | 11B | 114 BPM | ||
| Jab Hi Kiya Bhai Sadguru Ki | Niranjan Pandya | F Minor | 8 | 4A | 129 BPM | ||
| Mari Mena Re Bole Re Gadh Ne Kangre | Lalita Ghodadra, Raghuveer Kunchala | E♭ Major | 6 | 5B | 172 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Dungariye Manga Aave | Kamlesh Barot | G Minor | 5 | 6A | 162 BPM | ||
| Mahakal Bhajan | Nitin Bagwan | D♭ Minor | 7 | 12A | 92 BPM | ||
| Aajhu Ke Raati | Anurag Anand | B♭ Minor | 4 | 3A | 163 BPM | ||
| Vanke Ambode Shrinathji | Lalita Ghodadra | F Major | 5 | 7B | 102 BPM | ||
| Dammar Dak Vagya | Rekha Rathod | G Major | 5 | 9B | 125 BPM | ||
| Ekde Ek | Master Rana | F Minor | 6 | 4A | 92 BPM | ||
| Katha Visharjan Viday | Dhaval Kumar | D♭ Major | 7 | 3B | 84 BPM |