Transformation - From "Pinocchio"/Score
Leigh Harline
Pinocchio
3:49 January 1, 2002
BPM
122
Key
E♭ Minor
Camelot
2A

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Transformation - From "Pinocchio"/Score by Leigh Harline Song Details

"Transformation - From "Pinocchio"/Score" by Leigh Harline had its release date on January 1, 2002. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Pinocchio". In this album, this song's track order is #18. Based on our statistics, Transformation - From "Pinocchio"/Score's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Transformation - From "Pinocchio"/Score by Leigh Harline having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Music Key

This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-16.858 dB
Acousticness
93%
Danceability
31%
Energy
18%
Instrumentalness
82%
Liveness
19%
Loudness
72%
Speechiness
4%
Valence
4%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records