On April 21, 2009, the song "Should've Been You" was released by Down To The Bone, Hil St. Soul. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 10 in Future Boogie by Down To The Bone. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Should've Been You is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Should've Been You by Down To The Bone, Hil St. Soul is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Know Our Day Will Come | Brenda Russell | D♭ Major | 7 | 3B | 105 BPM | ||
| 2 Hearts - Richy Pitch Re-rub | Juliette Leon & Myron, Richy Pitch | B♭ Minor | 8 | 3A | 107 BPM | ||
| Make It Funky | Down To The Bone | A♭ Major | 8 | 4B | 100 BPM | ||
| Never Be There | Black & Brown | G Minor | 7 | 6A | 106 BPM | ||
| Love the Beat | Cool Million, Laura Jackson | F Minor | 6 | 4A | 115 BPM | ||
| Said I'd Show You | Nate James | E Minor | 7 | 9A | 123 BPM | ||
| Skirt Alert | Corduroy | B Minor | 9 | 10A | 109 BPM | ||
| Still Talking, Barely Singing | popment | A♭ Major | 7 | 4B | 93 BPM | ||
| Give Your Love A Chance | Shuya Okino | A♭ Major | 6 | 4B | 118 BPM | ||
| A Good Thing | James Taylor Quartet | E Minor | 7 | 9A | 104 BPM | ||
| Sumthin Like This | Cool Million, Tim Owens | G Major | 6 | 9B | 110 BPM | ||
| Girl Overboard | Snowboy, Anna Ross | C Major | 7 | 8B | 101 BPM | ||
| Time Of Your Life | Tyrone Lee | C Major | 7 | 8B | 101 BPM | ||
| Brand Nu | Soopasoul | F♯ Minor | 8 | 11A | 134 BPM | ||
| Too Late For Love | Matt Bianco | B Major | 7 | 1B | 111 BPM | ||
| Everywhere | Dusty Groove | A♭ Major | 7 | 4B | 112 BPM | ||
| Último acorde | Fluxar | A♭ Major | 7 | 4B | 93 BPM | ||
| Hold On Me - Kiko Navarro Funk Explosion Radio Edit | Diephuis, Hil St. Soul, Kiko Navarro | D♭ Major | 9 | 3B | 122 BPM | ||
| It's Your Time | Kim Scott | F Minor | 8 | 4A | 99 BPM | ||
| So Much More Together | Solsonics | A Minor | 7 | 8A | 103 BPM | ||
| Tuesday Swings | Jazz Funk Soul | F Minor | 7 | 4A | 115 BPM | ||
| The Bounce | Down To The Bone | B Minor | 8 | 10A | 101 BPM | ||
| Deep Down in My Soul | The Pluton Kids | F Major | 6 | 7B | 110 BPM | ||
| Take a Chance on Me | Bluey | E Minor | 7 | 9A | 92 BPM | ||
| It's All Good | [re:jazz], Nekta | A♭ Major | 5 | 4B | 102 BPM |