"Tristan und Isolde - Concert Version: Prelude" by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 1984. This song appears to be safe for all ages as it is not explicit. This song is part of Wagner: Tristan und Isolde; Tannhäuser; Die Meistersinger - Orchestral Music by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #4 out of 5 tracks. Tristan und Isolde - Concert Version: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde - Concert Version: Prelude by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Tristan und Isolde - Concert Version: Prelude being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
| Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 81 BPM | ||
| Lohengrin, WWV 75, Act I: Prelude | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | A Major | 4 | 11B | 98 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
| Tosca / Act III: "Io de´ sospiri" | Giacomo Puccini, Wolfgang Bünten, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 80 BPM | ||
| The Rite of Spring, K15, Pt. 2: X. Mystic Circles of the Adolescents | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 81 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
| The Rite of Spring, K15, Pt. 1: IV. Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 61 BPM | ||
| Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 113 BPM | ||
| Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 1 | 2B | 170 BPM | ||
| Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | A Major | 1 | 11B | 113 BPM | ||
| Also sprach Zarathustra, Op. 30: V. Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 81 BPM | ||
| Debussy / Orch. Matthews: Préludes, Livre II, CD 131, L. 123: No. 2, Feuilles mortes | Claude Debussy, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 1 | 2B | 114 BPM | ||
| Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour – II. Pantomime – III. Danse générale | Maurice Ravel, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 74 BPM | ||
| Symphony No. 8, Zweiter Teil: XIII. Neige, neige, du Ohnegleiche | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, MDR Leipzig Radio Chorus, Susan Bullock, Knaben des Staats- und Domchors Berlin, Anna Prohaska | B♭ Major | 1 | 6B | 79 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIa. Catacombae "Sepulcrum romanum" - Recorded 1966 | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 182 BPM | ||
| Die Walküre, Act I Scene 1: Wes Herd dies auch sei, hier muss ich rasten – Kühlende Labung gab mir der Quell | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 88 BPM | ||
| Adriana Lecouvreur / Act 2: Intermezzo | Francesco Cilea, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 111 BPM | ||
| Parsifal, Act I: Verwandlungsmusik | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 81 BPM | ||
| Concerto In G Minor R439 Op.10 No.2 "La Notte": 3. Il sonno. Largo - Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 98 BPM | ||
| Requiem, K. 626 (Ed. Beyer/Levin): IIIc. Rex tremendae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 3 | 6A | 108 BPM |