On April 12, 2019, the song "Aartee Jai Shri Shyam" was released by Rakesh Kala, Naresh Narsi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rakesh Kala's "Gyaras Ki Raat" album is number 2 out of 32. On top of that, India appears to be the country where this track was created. In terms of popularity, Aartee Jai Shri Shyam is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aartee Jai Shri Shyam by Rakesh Kala, Naresh Narsi to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Mamta Maayi Maa | Shahnaz Akhtar | E♭ Major | 7 | 5B | 100 BPM | ||
| Sai Ram Sai Shyam Sai Bhagwan | Tripti Shakya | F♯ Minor | 7 | 11A | 143 BPM | ||
| Radhe Naam Jap 108 Times | Suraj Borekar | D♭ Major | 6 | 3B | 172 BPM | ||
| Raghupati Raghav | Baal Gopal, Hladini | A Major | 3 | 11B | 113 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Teri Mand Mand Mushakniya Pe Balihar Raghav | Prakash Gandhi | D♭ Minor | 8 | 12A | 138 BPM | ||
| Shri Shivay Namastubhyam | Jyoti Vishwakarma | G Major | 5 | 9B | 124 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Mein Chal Tere Dham Aaya | Rakesh Kala | F Major | 9 | 7B | 96 BPM | ||
| Aaja Tujhko Pukare Tera Lal | Kumar Ashu, Rakesh Kala | F Minor | 8 | 4A | 81 BPM | ||
| Kakbhusundi Path | Morari Bapu | A Major | 7 | 11B | 100 BPM | ||
| Sakhi ri mero RadhaRaman | Harinaam Das | F♯ Minor | 6 | 11A | 168 BPM | ||
| Radhe Radhe Ki Japle Tu Maala - From "Radhe Radhe Ki Japle Tu Maala - Zee Music Devotional" | Biswajeeta Deb, Amjad Nadeem | D Major | 6 | 10B | 95 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Veer Hanumana Ati Balwana | Gyanendra Sharma | A♭ Major | 7 | 4B | 114 BPM | ||
| Amrit Ki Barse Badariya | Lakhbir Singh Lakkha | D♭ Major | 9 | 3B | 128 BPM | ||
| Radha Rani Tum Ho | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 7 | 4B | 147 BPM | ||
| Tu Jap Le Radha Radha | Krishan Priya Ji Maharaj | F♯ Minor | 7 | 11A | 140 BPM | ||
| Hari Sundar Nand Mukund - Lofi | Chetna Shukla | D Major | 4 | 10B | 81 BPM | ||
| Bajrang Bali Ke Hote | Bijender Chauhan, Rakesh Kala, Sandeep Agarwal | D♭ Minor | 8 | 12A | 90 BPM | ||
| Sanware Aye Jaiyo | Dhruv Sharma, Swarna Shri | D♭ Major | 4 | 3B | 145 BPM | ||
| Bol Jaikare Re Bol Jaikare | Shahnaz Akhtar | B Minor | 9 | 10A | 104 BPM | ||
| Shani Chalisa (Superfast) | Manjeera Ganguly | A♭ Major | 10 | 4B | 140 BPM | ||
| Mata Hai Gaura Pita Mahesh | Shahnaz Akhtar | G Major | 9 | 9B | 130 BPM |