FreQuency's ' "Day After Day" was released on its scheduled release date, November 28, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 4 in Day After Day by FreQuency. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of Day After Day is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Day After Day by FreQuency is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Band: To the Edge | THE PRIMALS | E♭ Minor | 9 | 2A | 100 BPM | ||
| Delta Ray (loud down) | FreQuency | B Major | 10 | 1B | 138 BPM | ||
| Nay! The Honor is All Ours | Akihiko Narita | B Minor | 8 | 10A | 144 BPM | ||
| Emil / Karma | SQUARE ENIX MUSIC | G Major | 9 | 9B | 155 BPM | ||
| To the Edge | 祖堅 正慶 | E♭ Minor | 9 | 2A | 133 BPM | ||
| Shadows Rising | 山﨑 良 | B Minor | 8 | 10A | 100 BPM | ||
| Farbanti (From "Ace Combat 04") | The Tiberian Sons | B Minor | 10 | 10A | 144 BPM | ||
| Trans-Am Raiser | Kenji Kawai | B Minor | 8 | 10A | 165 BPM | ||
| Dead Mall | 照井順政 | G Major | 5 | 9B | 172 BPM | ||
| Midnight Light | Jose Pavli | F♯ Major | 7 | 2B | 107 BPM | ||
| 逆行運河/天体受胎 | Hideyuki Fukasawa | A♭ Major | 9 | 4B | 180 BPM | ||
| Sentry.b | Vanguard Sound, 赛博传媒-2064 | B Minor | 10 | 10A | 128 BPM | ||
| chase | 梶浦 由記 | G Major | 9 | 9B | 163 BPM | ||
| In the End | Nikola Blackwood | F Major | 10 | 7B | 168 BPM | ||
| all this metal | Shiro SAGISU | E Minor | 10 | 9A | 160 BPM | ||
| Adventurous Inventors | Keisuke Ito | B♭ Minor | 9 | 3A | 124 BPM | ||
| Pride | 鴇沢直, bassy, Tsutomu Narita | F Major | 9 | 7B | 134 BPM | ||
| Let's just see (Devil May Cry 5 SE Edit) | Miwako Chinone | A♭ Major | 9 | 4B | 145 BPM | ||
| Signs of Victory | Masaru Yokoyama | G Major | 9 | 9B | 120 BPM | ||
| "壞家伙"來了! | 塞壬唱片-MSR, Adam Gubman | C Major | 10 | 8B | 126 BPM | ||
| Strike Enemy | MEDAROCKS | B♭ Major | 9 | 6B | 148 BPM | ||
| Final Mission - Quantum Burst | Kenji Kawai | C Major | 6 | 8B | 82 BPM | ||
| Open Fire | Rio Hamamoto | G Major | 9 | 9B | 139 BPM | ||
| Smasher | FreQuency | G Major | 9 | 9B | 164 BPM | ||
| Black Out | Vanguard Sound, 赛博传媒-2064 | A Major | 9 | 11B | 100 BPM |