"Every Time We Say Goodbye" by Jimmy Scott had its release date on 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 9 in All The Way by Jimmy Scott. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Every Time We Say Goodbye is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Every Time We Say Goodbye by Jimmy Scott is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nature Boy | Nat King Cole | D Minor | 1 | 7A | 173 BPM | ||
| My Foolish Heart | Ethel Ennis | F Major | 0 | 7B | 79 BPM | ||
| This Love of Mine | Jimmy Scott | F Major | 0 | 7B | 140 BPM | ||
| Fading Blues | Hird, Yukimi Nagano | B Minor | 5 | 10A | 117 BPM | ||
| I Don't Know | Ruth Brown | A♭ Major | 3 | 4B | 101 BPM | ||
| The Nearness Of You | Jimmy Scott, Joe Pesci | D♭ Major | 2 | 3B | 100 BPM | ||
| Ascenseur pour l'échafaud | Erik Truffaz | F Major | 7 | 7B | 111 BPM | ||
| No Stars | Rebekah Del Rio | E♭ Major | 4 | 5B | 120 BPM | ||
| Blue Valentines | Tom Waits | A Major | 0 | 11B | 136 BPM | ||
| A Change Is Going To Come | Baby Huey | F♯ Minor | 3 | 11A | 105 BPM | ||
| Give Her a Call | Gil Scott-Heron | G Major | 7 | 9B | 101 BPM | ||
| Who Will Take My Dreams Away Featuring Marianne Faithfull - From "The City Of Lost Children" | Angelo Badalamenti | A♭ Minor | 2 | 1A | 100 BPM | ||
| It'll Never Happen Again | Lady Blackbird | D♭ Minor | 5 | 12A | 93 BPM | ||
| Autumn in New York | Ernestine Anderson | B♭ Major | 3 | 6B | 63 BPM | ||
| Listen to the Hummingbird | Leonard Cohen | C Major | 0 | 8B | 76 BPM | ||
| Is Anything Wrong | Lhasa De Sela | A Minor | 1 | 8A | 100 BPM | ||
| Angel Eyes | Mark Murphy | B♭ Major | 2 | 6B | 173 BPM | ||
| It Never Entered My Mind | Miles Davis Quintet | A♭ Major | 2 | 4B | 116 BPM | ||
| With These Hands | Les McCann | C Major | 1 | 8B | 160 BPM | ||
| Midnight Blue | Andy Bey | D Minor | 2 | 7A | 99 BPM | ||
| Variety Theme | John Lurie | F Minor | 2 | 4A | 116 BPM | ||
| The Watershed | Mark Hollis | D♭ Minor | 3 | 12A | 83 BPM | ||
| Perfect Day (feat. Antony) | Lou Reed, Antony | D♭ Major | 1 | 3B | 98 BPM | ||
| PAST, PRESENT AND FUTURE | シャングリラス | A♭ Major | 2 | 4B | 69 BPM | ||
| Tomorrow Never Knows - 2024 Remastered Version | Junior Parker | C Major | 0 | 8B | 79 BPM |