Norman Dello Joio, Keystone Wind Ensemble, Jack Stamp's ' "From Every Horizon: II. Adagio" was released on its scheduled release date, January 1, 2003. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 19 in Dello Joio: Variants On A Mediaeval Tune / From Every Horizon / City Profiles / Concertante by Norman Dello Joio, Keystone Wind Ensemble, Jack Stamp. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. From Every Horizon: II. Adagio is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of From Every Horizon: II. Adagio by Norman Dello Joio, Keystone Wind Ensemble, Jack Stamp is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song of the Open Road | Norman Dello Joio, John Alexander Singers, Barry Perkins, David Clemensen | D♭ Minor | 2 | 12A | 67 BPM | ||
| Trittico: III. Allegro marcato | Václav Nelhýbel, Dallas Wind Symphony, Frederick Fennell | G Minor | 3 | 6A | 81 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Minor | 3 | 9A | 119 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | ||
| And the Mountains Rising Nowhere | Joseph Schwantner, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 2 | 7A | 167 BPM | ||
| Commando March | Samuel Barber, United States Marine Band, Gerard Schwarz | G Minor | 3 | 6A | 81 BPM | ||
| Prelude, Siciliano & Rondo: Rondo | Malcolm Arnold, The Trade Winds, Daniel Schmidt | C Minor | 4 | 5A | 79 BPM | ||
| O Magnum Mysterium | Northwestern University Symphonic Wind Ensemble | E♭ Major | 0 | 5B | 64 BPM | ||
| Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | ||
| Arabesque | Samuel R. Hazo, Indiana University of Pennsylvania Wind Ensemble, Jack Stamp | B♭ Major | 2 | 6B | 79 BPM | ||
| The Promise of Living from The Tender Land | Aaron Copland, John Williams, Tanglewood Festival Chorus, Boston Pops Orchestra | F Major | 1 | 7B | 135 BPM | ||
| Symphony No. 1, "Afro-american": Iv. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony | F♯ Major | 0 | 2B | 141 BPM | ||
| Trombone Concerto in B-Flat Major: III. Allegro - Allegretto | Nikolai Rimsky-Korsakov, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä | C Minor | 0 | 5A | 72 BPM | ||
| The Hounds of Spring | Alfred Reed, United States Air Force Band of the Rockies, Concert Band | B♭ Major | 0 | 6B | 159 BPM | ||
| Psychedelia | Bertrand Moren, James Markey, Hanako Yamagata | G Minor | 2 | 6A | 160 BPM | ||
| Anders Högstedt: A Night At The Opera III | Anders Högstedt, Axiom Brass, Christian Lindberg | C Minor | 0 | 5A | 70 BPM | ||
| Bagatelles: I. Andante affetuoso e moderato | Norman Dello Joio, Yolanda Kondonassis | B Major | 0 | 1B | 123 BPM | ||
| Four Scottish Dances Op. 59 | US Army Band | D Major | 1 | 10B | 71 BPM | ||
| Deciduous | Viet Cuong, University of Kansas Wind Ensemble, Paul Popiel | C Major | 2 | 8B | 148 BPM | ||
| A Childhood Hymn | David Holsinger, Concordia University Chicago Wind Symphony, Richard R. Fischer | E♭ Major | 0 | 5B | 84 BPM | ||
| Fantasia for Alto Saxophone | Claude T. Smith, James Barger, West Texas A&M University Symphonic Band, Donald Lefevre | F Minor | 1 | 4A | 139 BPM | ||
| 3 Ayres from Gloucester: 3 Ayres from Gloucester: No. 2, Ayre for Eventide (Live) | Hugh Stuart, Northshore Concert Band, Mallory Thompson | B♭ Major | 0 | 6B | 71 BPM | ||
| Sleep | Eric Whitacre, Northwestern University Symphonic Wind Ensemble, Mallory Thompson | C Minor | 0 | 5A | 68 BPM |