- BPM
- 132
- Key
- A Major
- Camelot
- 11B
Giulietta e Romeo, Act II: Son tornate le rondini, Giulietta (I Fanti) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Coro di Milano della RAI Song Details
"Giulietta e Romeo, Act II: Son tornate le rondini, Giulietta (I Fanti)" by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Coro di Milano della RAI had its release date on 1955. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Giulietta e Romeo by Riccardo Zandonai, Anna Maria Rovere, Angelo Lo Forese, Angelo Questa. The song's track number on the album is #8 out of 22 tracks. Based on our statistics, Giulietta e Romeo, Act II: Son tornate le rondini, Giulietta (I Fanti)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Giulietta e Romeo, Act II: Son tornate le rondini, Giulietta (I Fanti) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Coro di Milano della RAI has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Giulietta e Romeo, Act II: Son tornate le rondini, Giulietta (I Fanti) being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.211 dB
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 14%
- Instrumentalness
- 96%
- Liveness
- 23%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | |
 | Primavera in val di sole, RZ 220: III. L'eco. Allegro deciso | Riccardo Zandonai, Stefano Guarino, Giancarlo Guarino | B♭ Major | 1 | 6B | 125 BPM | |
 | Andrea Chénier / Act 1: Perdonatemi! ... La notte il giorno portiamo | Umberto Giordano, Montserrat Caballé, Astrid Varnay, Leo Nucci, Neil Howlett, Giorgio Tadeo, National Philharmonic Orchestra, Riccardo Chailly | D Major | 2 | 10B | 77 BPM | |
 | Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | |
 | Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | |
 | Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato? | Giacomo Puccini, Leo Nucci, Colin Cue, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musi | D Major | 0 | 10B | 81 BPM | |
 | Tosca, Act II: Quanto? Quanto? Il prezzo! | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 85 BPM | |
 | La traviata / Act 2: "Di sprezzo degno se stesso rende" | Giuseppe Verdi, Juan Pons, Luciano Pavarotti, Wendy White, Anthony Laciura, Bruno Pola, Julien Robbins, Jeffrey Wells, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine | E♭ Major | 1 | 5B | 88 BPM | |
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | |
 | Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | |
 | Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | |
 | La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | |
 | Un ballo in maschera / Act 1: "Finisci il vaticinio" | Giuseppe Verdi, Plácido Domingo, Elena Obraztsova, Ruggero Raimondi, Giovanni Foiani, Renato Bruson, Luigi De Corato, Edita Gruberova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | |
 | I Puritani / Act 1: I rito augusto si compia senza me | Vincenzo Bellini, Gian Carlo Luccardi, Anita Caminada, Nicolai Ghiaurov, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 62 BPM | |
 | Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | |
 | Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | |
 | Francesca da Rimini / Act 3: Ah, la parola che i miei occhi incontrano...E Galeotto | Riccardo Zandonai, Mario del Monaco, Magda Olivero, Monte-Carlo Philharmonic Orchestra, Nicola Rescigno | D♭ Minor | 2 | 12A | 66 BPM | |
 | Turandot / Act 1: Silenzio, olà! (Coro, Ping, Pang, Pong, Calaf, Timur) | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Plácido Domingo, Gottfried Hornik, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | F♯ Minor | 0 | 11A | 66 BPM | |
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Rossini: Petite messe solennelle: III. Credo, 2. Crucifixus (Soprano). Andantino sostenuto | Gioachino Rossini, Antonio Pappano | D Minor | 0 | 7A | 88 BPM | |
 | Francesca da Rimini, Act III: E la reina vede il cavaliere (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | E Major | 3 | 12B | 114 BPM | |
 | Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | F Major | 0 | 7B | 86 BPM | |
 | Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records