On June 20, 2005, the song "How Real (Can a Real, Real Be?)" was released by BANTU, Ayuba. This song is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 8 out of 11 in Fuji Satisfaction by BANTU. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, How Real (Can a Real, Real Be?)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of How Real (Can a Real, Real Be?) by BANTU, Ayuba is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orí Mi | Dele Sosimi, The Estuary 21 | G Minor | 7 | 6A | 108 BPM | ||
| General Rubbish vs The Sportswear Mystics | Galliano | C Major | 6 | 8B | 154 BPM | ||
| Two for Two - Side A | Caru, Brandn Shiraz | D♭ Major | 8 | 3B | 130 BPM | ||
| Woman in Love | Jaqee | E Minor | 3 | 9A | 140 BPM | ||
| Crow Foot Hustling | Galliano | C Major | 4 | 8B | 107 BPM | ||
| Higher vibes | BCUC | B Minor | 9 | 10A | 156 BPM | ||
| Anti Love Song | Nikka Costa | F Major | 8 | 7B | 94 BPM | ||
| Universal Harmony | Jimi Tenor, Jimi Tenor Band | C Major | 7 | 8B | 104 BPM | ||
| If You Want me To Stay | The Brooks | A♭ Major | 7 | 4B | 100 BPM | ||
| We Can Go Anywhere | Omar | G Major | 5 | 9B | 96 BPM | ||
| Being Here | Salin | G Major | 6 | 9B | 87 BPM | ||
| Spaven's Arc | Richard Spaven, Wildchild | F♯ Major | 7 | 2B | 100 BPM | ||
| Another New Day - Little Big Beat Studio Live Session | Jazzanova | A Minor | 7 | 8A | 113 BPM | ||
| Call From Jah | Ady Suleiman, Jah Digga | B Minor | 9 | 10A | 156 BPM | ||
| Angel Dust - Kyoto Jazz Massive Remix | Ludivine Issambourg, Kyoto Jazz Massive, Brian Jackson, Wolfgang Valbrun | F♯ Minor | 9 | 11A | 108 BPM | ||
| The Chase | Nadri Brown, The New Love Experience, Laíz, King Owusu | E Minor | 9 | 9A | 163 BPM | ||
| Idolising People Like Madlib | Lack Of Afro | A Major | 9 | 11B | 120 BPM | ||
| Niger Delta Blues - Basement Freaks Remix | BANTU, Basement Freaks, Tony Allen | B Minor | 9 | 10A | 156 BPM | ||
| Oya | BANTU, Ayuba | D♭ Minor | 8 | 12A | 99 BPM | ||
| Belseance | Souleance | D♭ Major | 7 | 3B | 122 BPM | ||
| When the Sun Goes Down | Charlie Beale | B Minor | 9 | 10A | 156 BPM | ||
| Machines Like Us | RJD2 & Supastition | B♭ Minor | 8 | 3A | 97 BPM | ||
| New Day | Piek, John Vermont, Ryan Roush | D♭ Major | 9 | 3B | 100 BPM | ||
| I Don't Like Dinner Pies | MAGNUS BERG | B♭ Minor | 8 | 3A | 104 BPM | ||
| Echo45 | Nightmares On Wax, Liam Bailey | G Major | 6 | 9B | 83 BPM |